FEATURE ARTICLES ABOUT ARTISTS, LISTED BY
ARTISTS’ NAMES - followed by title, author, and issue number.
|
|
Adaskin, Murray. Is This Good for Canada?—reflections by Murray Adaskin. Young, Gayle. 43. |
|
|
Andriessen, Louis. Ideas in the Music of Louis Andriessen: NOT Frumpy, Wispy, Artificial, Finicky, OR Aesthetic. Barwin, Gary. 60. |
|
|
Arnold, Martin. Getting Lost, an Art of Musical Meandering. Steenhuisen, Paul. 87. |
|
|
Avram, Ana-Maria. The Interior Life of Sound (an interview with Ana-Maria Avram by Olivier Bernard). Bernard, Olivier. 76. |
|
|
Avram, Ana-Maria, Dumitrescu, Iancu. Ana-Maria Avram and Iancu Dumitrescu: In the Land of the Ninth Sky. Hodgkinson, Tim. 71. |
|
|
Baker, Michael J. Notes of Grace. Sherlock, John Mark. 83. |
|
|
Barrett, Richard. The New Nihilism: L'Objet sonore and the Music of Richard Barrett. Harley, James. 72. |
|
|
Bartlett, Martin. Martin Bartlett: Xenomelophiliac. Rogalsky, Matt. 69. |
|
|
Bartley, Wende. In Tune with Creation, the musical practice of Wende Bartley. Copeland, Darren. 90. |
|
|
Benary, Barbara. Braiding Hot Rolled Steel: The Music of Barbara Benary. Goode, Daniel. 56. |
|
|
Bettez, Michel. Une entrevue avec le bassoniste Michel Bettez. Morand, Louise. 67. |
|
|
Brady, Tim. Strange Attractors: Tim Brady's music for electric guitar. Hurlbut, Andrew. 67. |
|
|
Branca, Glenn. Glenn Branca's Sound Field of Dreams. Twomey, Chris. 66. |
|
|
Brant, Henry. Spatialman: Henry Brant and His Music. Sykes, Debra. 64. |
|
|
Bryars, Gavin. Voices Have Never Failed Him Yet, the New Vocal Compositions of Gavin Bryars. Twomey, Chris. 74. |
|
|
Burton, Jim. Old Times and New: Minimalist Tom Johnson Talks with Conceptualist Jim Burton. Johnson, Tom. 89. |
|
|
Butterfield, Christopher. Panning for Gold: Christopher Butterfield and the Rewards of Processual Composition. Steenhuisen, Paul. 90. |
|
|
Cage, John. After Cage's Roaratorio; a Cheap Imitation. Kasemets, Udo. 19. |
|
|
Cage, John. Cage and the Theory of Harmony; A Tradition of Experimentation: James Tenney in Conversation (with Udo Kasemets and Tina Pearson). 27. |
|
|
Cage, John. De-Linearizing Musical Continuity (John Cage). Charles, Daniel. 52. |
|
|
Cage, John. A Note and a Table in the 10th Year (Cage's computer processes). Culver, Andrew. 52. |
|
|
Cage, John. John Cage and the Idea of Harmony. de Visscher, Eric. 52. |
|
|
Cage, John. Hexagram #14 for John Cage: A Yi Jing Jitterbug Vococtet. Kasemets, Udo. 52. |
|
|
Cage, John. John Cage: The Development of his Visual Art. Kostelanetz, Richard. 52. |
|
|
Cage, John. A White Cage Inside Four Walls: John Cage. Porzio, Michele. 52. |
|
|
Cage, John. I Ching, Tuning of Systems to Systems of Tuning. Kasemets, Udo. 57. |
|
|
Cage, John. A Few Short Anecdotes About John Cage. de Visscher, Eric. 58. |
|
|
Cage, John. Encounters with John Cage. Hayman, R.I.P. 58. |
|
|
Cage, John. Right Up To The Final Victory. van Emmerick, Paul. 58. |
|
|
Cage, John. Recent Thoughts About John Cage. Kostelanetz, Richard. 59. |
|
|
Cage, John. John Cage Poses a Few Last Questions. Leng Tan, Margaret. 59. |
|
|
Cage, John. About Moving. Polansky, Larry. 59. |
|
|
Cage, John. Nell'intero corso. Porzio, Michele. 59. |
|
|
Cage, John. Time in Ten (by John Cage). Pritchett, James. 59. |
|
|
Cage, John. Paean; Concerning Some Aesthetic Changes in Cage's Last Works. Erdmann, Martin. 61. |
|
|
Cage, John. Does Anarchy Have a Future? Ferrer, Esther. 62. |
|
|
Cage, John. John Cage and the Fusion of Art and Life, with Franz von Rossum. Rivest, Johanne. 62. |
|
|
Cage, John. NowNotes: (Re)Reading John Cage. Kasemets, Udo. 75. |
|
|
Cage, John, Tudor, David. A Tudor Realization. Holsaepfel, John. 76. |
|
|
Cage, John. NowNotes: 0'0 by John Cage—Reflections on Music of the Moment. Kasemets, Udo. 76. |
|
|
Cage, John. Tenney Plays Cage's Sonatas and Interludes for Prepared Piano. Tenney, James, Young, Gayle. 86. |
|
|
Cardew, Cornelius. The Scratch Orchestra—Several Unauthentic Views (interviews by Kathryn Gleasman Pisaro). |
|
|
Cardiff, Janet. Step and Breath, Space and Body Motion in the Experience of Music. Stubley, Eleanor. 84. |
|
|
Clarke, Stephen. 230 strings, Innumerable Possibilities—the Sabat/Clarke Violin/Piano duo. Russell, Bruce. 77. |
|
|
Collins, Nicolas. The Improvisation Moderator of Nicholas Collins. De Bièvre, Guy. 49. |
|
|
Crawford Seeger, Ruth. NowNotes: Ruthful Ruth. Kasemets, Udo. 80. |
|
|
Crawford Seeger, Ruth. Comparrangetranscraboration: Rewriting Ruth Crawford Seeger. Polansky, Larry. 81. |
|
|
Curnoe, Greg. I am Not Greg Curnoe, Part 1. Behrens, Jack. 63. |
|
|
Curnoe, Greg. I am Not Greg Curnoe, Part 2. Behrens, Jack. 64. |
|
|
Davis, Jim. Time…on dit: On Jim Davis. Brakhage, Stan. 49. |
|
|
de Alvear, Maria. Creating Space for Love: Reflections on Music and Spirituality, the music of Maria de Alvear. Sherlock, John. 68. |
|
|
de Alvear, Maria. Maria de Alvear—the Magic of Asking. Linda C. Smith, Anne Michaels, Eve Egoyan, Doina Popescu. 84. |
|
|
Dempster, Stuart. Sound Gatherer. Sykes, Claire, 94 |
|
|
Deschênnes, Marcelle. Creating and Contributing, the Expansive Spirit of Marcelle Deschênnes. Mountain, Rosemary. 86. |
|
|
Dhomont, Francis. Learning to Listen, the Rich Aural Art of Francis Dhomont. McFarlane, Matthew. 88. |
|
|
Dubin, Larry. Swan Song for Larry Dubin. Haines, Paul. 4. |
|
|
Dubin, Larry. Memories of Larry Dubin. Oughton, John. 9. |
|
|
Dudon, Jacques. Les Harmoniques lumineuses de Jacques Dudon. Dubreuil, Bernard. 55. |
|
|
Dumas, Chantal. A Passion for Listening. Fenner, Victoria. 91. |
|
|
Dumitrescu, Iancu. Ana-Maria Avram and Iancu Dumitrescu: In the Land of the Ninth Sky. Hodgkinson, Tim. 71. |
|
|
Egoyan, Eve. Dreaming into the Work—the Interpretive Piano Art of Eve Egoyan. Sykes, Claire. 77. |
|
|
Elder, Bruce. Time…on dit: Bruce Elder's Book of all the Dead. Brakhage, Stan. 53. |
|
|
Elder, Bruce. Time…on dit: Exultations of Bruce Elder. Brakhage, Stan. 58. |
|
|
Elder, Bruce. Time…on dit: The Nature of Image. Brakhage, Stan. 73. |
|
|
Eno, Brian. Eno's Music for Airports. Twomey, Chris. 73. |
|
|
Erickson, Kim. March Màpt: Kim Erickson's work for music theatre. Roberts, William V. 36. |
|
|
Freedman, Lori; LAIWAN. A Collaborative Sound Installation. Wallace, Keith. 94. |
|
|
Freedman, Lori. Composer, Musician. Waterman, Ellen. 94. |
|
|
Fuller, R. Buckminster. Symposium: Synergetics and the Arts: (Re)tuning Humanity (regarding Buckminster Fuller's concepts). Kasemets, Udo. 33. |
|
|
Gaburo, Kenneth. Resonances: The influence of composer Kenneth Gaburo. Blackburn, Philip, Belgum, Eric, Burt, Warren. 75. |
|
|
Garant, Serge. New Music and the Public: Where the late Serge Garant Might Stand in Quebec's Recent Ruptures Debate. Beckwith, John. 68. |
|
|
Gardner, Robert. Time…on dit: The Indigenous World of Robert Gardner. Brakhage, Stan. 57. |
|
|
Gehlhaar, Rolf. Return to the Body: Techno-motion Musician Rolf Gehlhaar's Sound=Space. Lowenstein, Oliver. 76. |
|
|
Goldstein, Malcolm. An Artistic Practice at its Height. Kasemets, Udo. 93. |
|
|
Gould, Glenn. A Thread of Musical Thinking: Glenn Gould, J.S. Bach, François Girard and an Art of Sounds. Gebhardt, Nicholas. 67. |
|
|
Gzowski, John. Testing the Limits of the Possible, a portrait of John Gzowski. Lewis, Tilman. 89. |
|
|
Hall, Helen. Between Seeing and Hearing: Sensing Electromagnetic Radiation in Helen Hall's film Powerlines. Young, Gayle. 74. |
|
|
Han, Mei. Reinventing Tradition: the past, present and future of Zheng Virtuoso Mei Han. Oliver, John. 92. |
|
|
Hanson, Sten. Sten Hanson's MetaMusic. Zapf, Donna. 15. |
|
|
Harley, James. Daring the Wilderness: The Music of James Harley. Couroux, Marc. 69. |
|
|
Harvey, Jonathan. Spiritual Spectralism, the Music of Jonathan Harvey. Sykes, Claire. 87. |
|
|
Hatch, Peter. The Continuous Now—Peter Hatch's Musical Vision and Community Presence. Harley, James. 86. |
|
|
Hayward, Robin. Refining an Instrument. Szlavnics, Chiyoko. 89. |
|
|
Heimbecker, Steve. At Work and Play in the Soundpool. Friz, Anna. 94 |
|
|
Hétu, Joane. Quand les femmes se mêlent d'improvisation: Joane Hétu. Tremblay, Danielle. 54. |
|
|
Hétu, Joane. Joane Hétu's Diverse Musical Missions. Couture, François. 92. |
|
|
Houle, François. The Receptive Clarinet of François Houle. Steenhuisen, Paul. 92. |
|
|
Hunt, Jerry. Unlikely Persona: Jerry Hunt (1943–1993). Schell, Michael. 65. |
|
|
Hykes, David. Harmonic Meeting: a workshop with David Hykes. Wilson, Tim. 35. |
|
|
Kasemets, Udo. Time…on dit: Udo Kasemets. Brakhage, Stan. 47. |
|
|
Kasemets, Udo. Citation for Udo Kasemets. Tenney, James. 62. |
|
|
Kney, Gabriel. Wood, Metal and Mechanical Connections: Gabriel Kney, pipe organ builder. Mason, Roger Burford. 47. |
|
|
Komorous, Rudolf. Listening on the Edge, after Rudolf Komorous. Arnold, Martin. 88. |
|
|
Kontarsky, Aloys. Chat with Aloys Kontarsky. Crawford, Chris. 7. |
|
|
Kotik, Petr. Between the New and the Old World: Petr Kotik in Prague. Doruzka, Petr. 50. |
|
|
Krausas, Veronika. The Music of Veronika Krausas: Time has Died. Gray, D'Arcy Philip. 83. |
|
|
Kubota, Nobuo. Sonic Core: The Cross-Disciplinary Art of Nobuo Kubota. Dutton, Paul. 65. |
|
|
lanza, alcides. Extra-Sensory Percussion: the Percussion Music of alcides lanza. Ferguson, Sean. 61. |
|
|
Lateef, Yusef. Taking Chances: The Musical Craft of Yusef Lateef. Dessen, Michael. 72. |
|
|
Le Caine, Hugh. Hugh Le Caine: Pioneer of Electronic Music, Part 1. Young, Gayle. 14. |
|
|
Le Caine, Hugh. Hugh Le Caine: Pioneer of Electronic Music, Part 2. Young, Gayle. 17. |
|
|
Le Caine, Hugh. On Hugh Le Caine, Electronic Music Pioneers, part 3. lanza, alcides, Lewin-Richter, Andres. 83. |
|
|
LeBaron, Anne. Artistic Engagement with a Mississippi Community— Bringing It All Together. Gleasman Pisaro, Kathryn. 84. |
|
|
Leboeuf, Diane. Diane Leboeuf, Sound Designer: From Mixing Boards to Museums. Gasior, Lisa, McCartney, Andra. 90. |
|
|
Leriche, Robert. Yves Bouliane et Robert Leriche. Bouliane, Yves. 5. |
|
|
Lockwood, Annea. From Burning Pianos to sound-mapping the Danube. Hymer, Jennifer. 84. |
|
|
Lopez, Francisco. Waterfall Music. van Peer, Rene, Varela, Daniel. 82. |
|
|
Lussier, René. A Guitarist who Speaks a Different Language. Denis, Jean- François. 58. |
|
|
Manlicher Carcano. The Manlicher Carcano Radio Hour—Making No Noise. Waterman, Ellen. 84. |
|
|
Medicine Hoop Drum. The Wiki Pow Wow: Medicine Hoop Drum. Reitzenstein, Reinhard. 36. |
|
|
Merit, Jacky. Jacky Merit: A Lifetime Burning. Spiteri, Vivienne. 79. |
|
|
Metamakine. Interventions of Vision and Sound: la cellule d’intervention Metamkine. Kennedy, Chris. 94. |
|
|
Minden Ensemble, Robert. The Trick is in the Imagining: The Robert Minden Ensemble. Young, Gayle. 50. |
|
|
Minden, Robert. Acoustic Metals: Robert Minden. Zapf, Donna. 15. |
|
|
Neill, Ben. The Mutantrumpet of Ben Neill: Where the Scientific & the Mystical Meet. Twomey, Chris. 68. |
|
|
Nemtin, Alexander. The Completion of Scriabin's Prefatory Action. Rovner, Anton. 80. |
|
|
Nichol, bp. bp Nichol and the Past-Present of a Future Music. Dutton, Paul. 44. |
|
|
Nihilist Spasm Band. Artimprovisation, The Nihilist Spasm Band—Consciously Striving for a Wall of Sound. Moule, Richard. 81. |
|
|
Oliveros, Pauline. Angels and Demons and Pauline Oliveros. Pearson, Tina. 31. |
|
|
Oliveros, Pauline. Working for Change: Motivation of Creative Activity, with Pauline Oliveros. Band, Ellen. 45. |
|
|
Oliveros, Pauline. 30 Years of Listening—Recollections of Sonic Meditations with Pauline Oliveros. Barnett, Bonnie, Gamper, David, George, Ron, Louie, Alexina, Wong, Betty and Shirley. 78. |
|
|
Olson, Charles. Time…on dit: Charles Olson. Brakhage, Stan. 48. |
|
|
Oswald, John. Plunderphonia & VOX: John Oswald. Cutler, Chris. 60. |
|
|
Partch, Harry. Harry Partch in the Field. Kassel, Richard. 51. |
|
|
Pearce, Ion. Taking Ideas for a Walk: A Discussion with Australian Composer Ion Pearce. Gebhardt, Nicholas. 66. |
|
|
Pentland, Barbara. Notes Towards a Portrait of Barbara Pentland: Issues of Gender, Class, and Colonialism in Canadian Music. Duke, David Gordon. 70. |
|
|
Pentland, Barbara. That a Remote Glacier Remain—Discovering the Irrepressible Barbara Pentland. Bird, Jennifer. 80. |
|
|
Perlis, Vivian. In the Voice of the Artist: Vivian Perlis of the Yale Oral History Project. Young, Gayle. 51. |
|
|
Plimley, Paul. Playing with Fire. Sykes, Claire. 79. |
|
|
Ptaszynska, Marta. Music of Perucssion, Poetry and Colour. Harley, Maria. 74. |
|
|
Raine-Reusch, Randy. Sounding the World: The Technical and Musical Diversity of Randy Raine-Reusch. Sykes, Claire. 71. |
|
|
Rea, John. The Underlying Madness of King John. Couroux, Marc. 84. |
|
|
Reason, Dana. The Piano Artistry of Dana Reason. Given, Dan. 74. |
|
|
Rezny, Josef. Czech Bagpipe Master Josef Rezny. Doruzka, Petr. 65. |
|
|
Rokeby, David. Le Very Nervous System de David Rokeby. Robert, Jocelyn. 56. |
|
|
Sabat, Marc. 230 strings, Innumerable Possibilities—the Sabat/Clarke Violin/Piano duo. Russell, Bruce. 77. |
|
|
Sankaran, Trichy. Vidwan Trichy Sankaran: So Much to Learn, so Much to Give. Shorley, Ken. 59. |
|
|
Sankaran, Trichy. Trichy Sankaran: South Indian Drummer, Western Composer. Timar, Andrew. 59. |
|
|
Schafer, R. Murray. Confluence and Collaboration, Part 1: R. Murray Schafer's Patria, the Epilogue: And Wolf Shall Inherit the Moon. Waterman, Ellen. 70. |
|
|
Schafer, R. Murray. Confluence and Collaboration, Part 2, Performing R. Murray Schafer's And Wolf Shall Inherit the Moon. Waterman, Ellen. 72. |
|
|
Schafer, R. Murray. A Phantom of Opera: R. Murray Schafer's The Greatest Show. Kennedy, Kathy. 45. |
|
|
Schwitters, Kurt. Kurt Schwitters at Zero Gravity. Morton, Colin. 44. |
|
|
Schwitters, Kurt. On Kurt Schwitters' Ursonate (1932). Scholz, Christian. 44. |
|
|
Scratch Orchestra. Several Unauthentic Views (interviews by Kathryn Gleasman Pisaro, with Carol Finer, David Jackman, Richard Ascough, Psi Ellison, Hugh Shrapnel, Bryn Harris, Michael Parsons, John White, John Tilbury, Michael Chant, Howard Skempton). Gleasman Pisaro, Kathryn. 80. |
|
|
Sharits, Paul. Time…on dit: Letters from, to, and about Paul Sharits. Brakhage, Stan. 50. |
|
|
Sorabji, Kakhosru Shapurjipiano. A Vast and Elusive Musical Architecture—Performing Sorabji's Symphony no 4 for Piano Alone. van Houdt, Reinier, van Peer, Rene. 87. |
|
|
Stein, Gertrude. Time…on dit: Empathy and Aesthetics in the Writing of Gertrude Stein. Brakhage, Stan. 54. |
|
|
Stein, Gertrude. A Talk About Time and Syntax in Music. Hatch, Peter. 54. |
|
|
Sternberg, Barbara. Time and Film: the films of Barbara Sternberg. Young, Gayle. 45. |
|
|
Sutherland, W. Mark. Sounding the Written Seen. Dutton, Paul. 85. |
|
|
Teitelbaum, Richard. Integrating Extremes: the Music of Richard Teitelbaum. Raine- Reusch, Randy. 85. |
|
|
Tobin, Nancy. The Loudspeaker as Instrument: the soundworks of Nancy Tobin. Friz, Anna. 88. |
|
|
Tomatis, Alfred. À l'écoute de l'univers: Alfred Tomatis. Wilson, Tim. 35. |
|
|
Tremblay, Danielle. Quand les femmes se mêlent d'improvisation: Joane Hétu. Tremblay, Danielle. 54. |
|
|
Trio Fibonacci. Trio Fibonacci's Zest for Modern Repertoire. Panneton, Isabelle. 81. |
|
|
Tudor, David. Spirit Beyond a Life; Giant Oscillations—The Birth of Toneburst (2 articles). Adams, John D. S. 69. |
|
|
Tudor, David. The Art of the Impossible. Gray, D'Arcy Philip. 69. |
|
|
Tudor, David. Still Listening: Reflections on the Life and Music of David Tudor (with Erin Donovan, John D.S. Adams). Oliveros, Pauline. 70. |
|
|
Tudor, David. Private Person, Public Figure—David Tudor in the n’60s and ’70s. Behrman, David. 71. |
|
|
Tudor, David. David Tudor's Performance Composition. Zaparinuk, Peter. 71. |
|
|
Tudor, David. David Tudor's Sound Table. Barker-Mill, Adam. 73. |
|
|
Tudor, David. Composing the Performer: David Tudor remembers Stefan Wolpe's Battle Piece. Clarkson, Austin. 73. |
|
|
Tudor, David. David Tudor's Virtual Focus. Rogalsky, Matt. 73. |
|
|
Tudor, David. Cage, John. A Tudor Realization. Holsaepfel, John. 76. |
|
|
Tudor, David. Remembering David Tudor. Cross, Lowell. 79. |
|
|
Urge. Ascending to Chaos—Urge and the Radical Ordinary. Gould, Maria. 78. |
|
|
Usachevsky, Vladimir. Intersecting Planes—a Reminiscence of Vladimir Ussachevsky. lanza, alcides, Lewin-Richter, Andres. 82. |
|
|
Varese, Edgard. Intersecting Planes, a Reminiscence of Edgard Varese. lanza, alcides, Lewin-Richter, Andres. 81. |
|
|
Westerkamp, Hildegard. Inside the Soundscape, the compositions of Hildegard Westerkamp. Zapf, Donna. 15. |
|
|
Westerkamp, Hildegard. Soundwalk in the Park with Hildegard Westerkamp. McCartney, Andra. 72. |
|
|
Westerkamp, Hildegard. Conversations with Nature: Hildegard Westerkamp's Soundscape Composition Talking Rain. macCormac, sylvi. 74. |
|
|
Williams, Hank. Beyond Doo-Wop or: How I came to Realize That Hank Williams Is Avant Garde. Dutton, Paul. 54. |
|
|
Wolff, Christian. Christian Wolff: Unsettling the Score. Sherlock, John, Young, Gayle. 91. |
|
|
Wolpe, Stefan. Composing the Performer: David Tudor remembers Stefan Wolpe's Battle Piece. Clarkson, Austin. 73. |
|
|
Wunder, Al. Teaching without Teaching: Al Wunder's Theatre of the Ordinary. Burt, Warren. 76. |
|
|
Wuorinen, Charles. A Row is a Row is Sometimes Pitch-centric: Charles Wuorinen's contribution to post-tonal composition. Carey, Christian. 92. |
|
|
Xenakis, Iannis. Triumphs of Modernity: Xenakis's Kraanerg at Canada's National Arts Centre. Harley, James Harley, Maria Anna. 67. |
|
|
Yudane, I. Wayan. Gamelan and Beyond: I Wayan Gde Yudane's dedication to the new. Body, Jack. 90. |
|
|
Z, Pamela. A Few Facets of Pamela Z (interview by Kathy Kennedy). Z, Pamela, Kennedy, Kathy. 76. |
