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Adams, John D. S. David Tudor: Spirit Beyond a Life; Giant Oscillations—The Birth of Toneburst (2 articles). 69. |
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Adams, John D. S.; Donovan, Erin; Oliveros, Pauline. Still Listening: Reflections on the Life and Music of David Tudor. 70. |
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Adams, John Luther; Young, Gayle. Sonic Geography of the Arctic. 70. |
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Adams, John Luther. From Winter Music, a Composer's Journal—music inspired by the subarctic winter light. 82. |
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Adams, John Luther. Commentary: Global Warming and Art. 86. |
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Adams, John Luther. Commentary: The Immeasurable Space of Tones. 91. |
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Adams, John Luther. Sonic Geography Alaska. 93. |
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Ajzenstat, Sandor. Tape Recorder Sculpture. 26. |
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Alasuak, Alassie; Nungak, Nellie. Katajaiit (Throat Games). 23. |
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Amacher, Maryanne. God's Big Noise, an interview with Maryanne Amacher, by Gordon Monahan. 41. |
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Anson, Peter; Mattes, Al; Parker, Evan. Talk with Evan Parker. 10. |
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Anson, Peter. Linear Operators and Autoregressive Music. 41. |
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Arguelles, José. Harmonic Convergence. 33. |
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Armin, Dick. The New Violin, an Interview with Dick Armin, by Linda C Smith. 28. |
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Arnold, Martin. Listening on the Edge, after Rudolf Komorous. 88. |
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Arthea. Arthea: The Importance of Sound and Music. 33. |
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Ashley, Robert. Robert Ashley in conversation with Peter Anson. 5. |
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Authors un-named. Commentary: Where are the Woman Composition Students? 80. |
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Avram, Ana-Maria, Bernard, Olivier. The Interior Life of Sound, an interview. 76. |
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Bailey, Derek. Derek Bailey In Toronto. 9. |
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Baker, Frank. The Voice is in Your Body. 21. |
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Bakker, Peter. Txalaparta—Traditional Basque Percussion Instrument. 41. |
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Band, Ellen. Working for Change: Motivation of Creative Activity, with Pauline Oliveros. 45. |
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Barker-Mill, Adam. David Tudor's Sound Table. 73. |
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Barnett, Bonnie. Vibration is Movement: Movement is Change. 55. |
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Barnett, Bonnie; Gamper, David; George, Ron; Louie, Alexina; Wong, Betty and Shirley. 30 Years of Listening—Recollections of Sonic Meditations with Pauline Oliveros. 78. |
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Barras, Vincent. Glossolalies? La glotte y sonne un hallali. 68. |
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Barteaux, David. Electronic Video Arcade Music. 24. |
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Bartlett, Martin. Interview by Andrew Timar. 7. |
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Bartlett, Martin. Electro-Acoustic Methods. 28. |
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Bartlett, Martin; Zapf, Donna; Schryer, Claude; Butterfield, Christopher. Music from the Black Box—Martin Bartlett in Conversation. 69. |
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Bartley, Wende. Rising Tides of Generations Lost. 31. |
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Bartley, Wende. Hybrids of Time, Timbre and Traditions: Outline of a Compositional Process. 39. |
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Bartley, Wende. Creating Audio Landscapes: Myke Dyer, John Gurrin, Shelley Craig, J. Oswald, N. Natalka Lubiw. 40. |
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Bartley, Wende. Dis Word Breeds My Rhythm—dub poet Lillian Allen. 42. |
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Bartley, Wende; MacCrimmon, Brenna. Born with the Sound in their Throats: the Bulgarian Women's Vocal Choir. 44. |
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Bartley, Wende, Copeland, Darren. In Tune with Creation, the musical practice of Wende Bartley. 90. |
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Barwin, Gary. Ideas in the Music of Louis Andriessen: NOT Frumpy, Wispy, Artificial, Finicky, OR Aesthetic. 60. |
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Beckwith, John. New Music and the Public: Where the late Serge Garant Might Stand in Quebec's Recent Ruptures Debate. 68. |
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Behrens, Jack. I am Not Greg Curnoe, Part 1. 63. |
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Behrens, Jack. I am Not Greg Curnoe, Part 2. 64. |
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Behrman, David. Private Person, Public Figure—David Tudor in the ’60s and ’70s. 71. |
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Belgum, Eric, Blackburn, Philip, Burt, Warren. Resonances: The influence of composer Kenneth Gaburo. 75. |
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Belkin, Alan. MIDI Chamber Music. 43. |
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Benoit, Emile. Black Duck Brook, Nfld. 24. |
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Bernard, Olivier, Avram, Ana-Maria. The Interior Life of Sound, an interview. 76. |
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Bird, Jennifer. That a Remote Glacier Remain—Discovering the Irrepressible Barbara Pentland. 80. |
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Bittova, Iva. Rites of Violin in the Witches' Quarry: interview with Iva Bittova by Petr Doruzka. 56. |
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Blackburn, Philip, Belgum, Eric, Burt, Warren. Resonances: The influence of composer Kenneth Gaburo. 75. |
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Boas, Franz. Music in the North (1888). 26. |
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Body, Jack. Gamelan and Beyond: I Wayan Gde Yudane's dedication to the new. 90. |
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Bouliane, Yves. Yves Bouliane et Robert Leriche. 5. |
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Bouliane, Yves, Dawson, Ted. Interview with Ted Dawson. 7. |
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Bouliane, Yves, Mayr, Albert. Interview with Albert Mayr. 7. |
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Boulaine, Yves, Harwood, Andrew, Crawford, Christopher, Oswald, John. Yves Bouliane: talk about Improvising. 10. |
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Bowman, Rob. Transculturation: Hi-Tech Ethnic Pop. 40. |
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Bowman, Rob. The Rattling of the Drums: Political Expression in World Music. 49. |
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Brady, Tim. So You Want to be a New Music Composer / Then Listen Now to What I Say. 51. |
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Brady, Tim. Death of the Masterpiece: the Changing Social Context for Creative Music. 61. |
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Brady, Tim. James Bond, Tan Dun, and the Canadian Future of Music. 71. |
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Brady, Tim, Lee, Hope. Eastern Traditions in Western Contexts (interview with Hope Lee by Tim Brady). 75. |
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Brady, Tim. Commentary: Why Canadian Music Does Not Exist—and Why I love It. 77. |
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Brady, Tim. Twenty Quarter-inch Jacks: Adventures with an Orchestra of Amateur Guitarists. 85. |
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Brady, Tim. The Canadian Network for New Music: Why We Need It, Why It Needs You. 94. |
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Brakhage, Stan. Time…on dit: Time and film. 45. |
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Brakhage, Stan. Time…on dit: Udo Kasemets. 47. |
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Brakhage, Stan. Time…on dit: Charles Olson. 48. |
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Brakhage, Stan. Time…on dit: On Jim Davis. 49. |
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Brakhage, Stan. Time…on dit: Letters from, to, and about Paul Sharits. 50. |
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Brakhage, Stan. Time…on dit: Shostakovich. 52. |
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Brakhage, Stan. Time…on dit: Bruce Elder's Book of all the Dead. 53. |
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Brakhage, Stan. Time…on dit: Empathy and Aesthetics in the Writing of Gertrude Stein. 54. |
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Brakhage, Stan. Time…on dit: Fœtal Perception. 55. |
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Brakhage, Stan. Time…on dit: The Indigenous World of Robert Gardner. 57. |
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Brakhage, Stan. Time…on dit: Exultations of Bruce Elder. 58. |
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Brakhage, Stan. Time…on dit: Geometric versus Meat-ineffable. 59. |
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Brakhage, Stan. Time…on dit: The Fall of the Leaves. 60. |
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Brakhage, Stan. Time…on dit: On Romanticism. 61. |
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Brakhage, Stan. Time…on dit: Romanticism Part 2. 62. |
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Brakhage, Stan. Time…on dit: Having Declared a Belief in God. 63. |
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Brakhage, Stan. Time…on dit: In Consideration of Aesthetics. 64. |
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Brakhage, Stan. Time…on dit: Painting Film. 65. |
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Brakhage, Stan. Time…on dit: The Lost Films. 66. |
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Brakhage, Stan. Time…on dit: An exercise in Ineffability. 67. |
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Brakhage, Stan. Time…on dit: Space as Menace in Canadian Aesthetics: Film and Painting, Part 1. 68. |
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Brakhage, Stan. Time…on dit: Space as Menace in Canadian Aesthetics: Film and Painting, Part 2. 69. |
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Brakhage, Stan. Time…on dit: Space as Menace in Canadian Aesthetics: Film and Painting, Part 3. 70. |
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Brakhage, Stan. Time…on dit: Space as Menace in Canadian Aesthetics: Film and Painting, Part 4. 71. |
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Brakhage, Stan. Time…on dit: Space as Menace in Canadian Aesthetics: Film and Painting, Part 5. 72. |
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Brakhage, Stan. Time…on dit: The Nature of Image. 73. |
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Brooks, Iris. Flutes and Animals. 20. |
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Brush, Leif. Music From Trees, Iceflows and Other Natural Phenomena, an Interview with Leif Brush, by Gordon Monahan. 30. |
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Brush, Leif. Terrain Instruments. 30. |
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Bruyere, Marie-France; Simard, Nicole. Oranges. 19. |
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Bulgarian Women's Vocal Choir, with Brenna McCrimmon. 44. |
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Bunce, Johathan. The Curious Contrasts of Les Mouches. 90. |
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Burt, Warren. Interview with Warren Burt, by Ellen Band. 48. |
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Burt, Warren, Belgum, Eric, Blackburn, Philip. Resonances: The influence of composer Kenneth Gaburo. 75. |
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Burt, Warren. Teaching without Teaching: Al Wunder's Theatre of the Ordinary. 76. |
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Burtch, Michael. Harbour Sounds Ashore—a Permanent Shoreline Sound Installation. 50. |
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Burton, Dennis. Melody Writing System: ABDOPQR. 10. |
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Burton, Dennis. Introduction: In Terra Reduction; Handshaking I; The Physics of Music. 11. |
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Burton, Dennis. New Music as Visual Language. 11. |
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Butterfield, Christopher. Lecture. 23. |
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Butterfield, Christopher, Schryer, Claude, Zapf, Donna, Bartlett, Martin. Music from the Black Box—Martin Bartlett in Conversation with Chris Butterfield, Claude Schryer, Donna Zapf. 69. |
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Cadesky, V. Eric. Cooking With Glass. 21. |
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Cage, John; Frasconi, Miguel; Timar, Andrew. A Conversation with John Cage. 17. |
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Cage, John. A Composer's Confessions. 52. |
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Cameron, Allison. The Arcana Ensemble: An Interview by Gayle Young. 63. |
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Carey, Christian. A Row is a Row is Sometimes Pitch-centric: Charles Wuorinen's contribution to post-tonal composition. 92. |
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Carter, Joe. Sitelines. 29. |
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Celona, John. Belief System (notes). 15. |
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|
Chadabe, Joel. Commentary: Where We're Going, Making our Music Known to a Larger Public. 85. |
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Charles, Daniel. De-Linearizing Musical Continuity (John Cage). 52. |
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|
Chassagne, Boris. Vers une utopie radiophonique quand la détresse s'en va toute seule. 53. |
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Chatham, Rhys. Music that Won't Melt in Your Hands: Rhys Chatham, an interview with Helen Hall. 48. |
|
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Christensen, Peter, Rosen, Robert J. Commentary on Canyon Shadows: Stones (performance piece by RJ Rosen). 56. |
|
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Clark, Stuart. Your Computer as Instrument. 90. |
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Clarkson, Austin. Uncursing the Silence: An Exploration of Sonic Imagination. 57. |
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Clarkson, Austin. The Sounds of Dry Paint. 63. |
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|
Clarkson, Austin. Composing the Performer: David Tudor remembers Stefan Wolpe's Battle Piece. 73. |
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Cohen, Judith. The Sephardic Song Revival. 54. |
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Collinge, Doug; Parkinson, Stephen. Audience-Sensitive Sound Installation. 28. |
|
|
Copeland, Darren. Cruising for a Fixing in this Art of Fixed Sounds. 61. |
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Copeland, Darren, Bartley, Wende. In Tune with Creation, the musical practice of Wende Bartley. 90. |
|
|
Corringham, Viv. Vocal Strolls, Voicing the Soundscape. 86. |
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Coté, Françoise. Sculpturized Music/ Musicalized Sculpture. 39. |
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Couch, Leigh. I was a Big Band Groupie. 40. |
|
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Coulombe St-Marcoux, M. Micheline Coulombe Saint-Marcoux. 18. |
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Couroux, Marc. Daring the Wilderness: The Music of James Harley. 69. |
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Couroux, Marc. John Rea: The Underlying Madness of King John. 84. |
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Courtis, Anla. Commentary: Disabilities and Abilities for Thinking Outside the Box in Contemporary Sound Work. 83. |
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Couture, François. Joane Hétu's Diverse Musical Missions. 92. |
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Cram, Paul. Cord Orchestra, a Statement of Process. 6. |
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Crawford, Chris. Analysis of Coming Together by Frederick Rzewski. 6. |
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Crawford, Chris. Chat with Aloys Kontarsky. 7. |
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|
Crawford, Christopher, Harwood, Andrew, Boulaine, Yves, Oswald, John. Yves Bouliane: talk about Improvising. 10. |
|
|
Chenaux, Eric. Guitarist-Singer-Songwriter Who Won’t Stay Parked, an interview by Jonny Doversourt. 93. |
|
|
Cremo, Lee Harvey. Lee Harvey Cremo, Eskatoni, Cape Breton. 24. |
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Cronkite, David. Mediating Gesture, an interactive approach to computer-assisted music. 78. |
|
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Cross, Lowell. Remembering David Tudor. 79. |
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Crossman, Rae. Commentary: A Call to Arms, Poems, Painting and Songs. 82. |
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Crossman, Rae. Visions of Sound: Wolf Tracks. 92. |
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Culver, Andrew. Invitations. 33. |
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Culver, Andrew. A Note and a Table in the 10th Year (Cage's computer processes). 52. |
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Culver, Andrew. Notes on Anarchy and Economy, Part 1. 62. |
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Culver, Andrew. Notes on Anarchy and Economy, Part 2. 64. |
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Culver, Andrew. Notes on Anarchy and Economy, Part 3. 68. |
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Cutler, Chris. Plunderphonia & VOX: John Oswald. 60. |
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Dallaire, Carol. The Possible Poetry of Limits. 80. |
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Danielson, Janet. Commentary: Five Sixths of Women Will Stop in the Doll Stage. 81. |
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Davida, Dena. Yves Chamberland: Sound Samples for Dancers. 46. |
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Davies, Hugh. Musical Potential of Found Objects in New Instruments Invented by Young People. 57. |
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Davies, Victor, Timar, Andrew. Talk with Victor Davies. 10. |
|
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Dawson, Ted. Joint Actions. 19. |
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Dawson, Ted, Bouliane, Yves. Interview with Ted Dawson. 7. |
|
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De Bièvre, Guy. The Improvisation Moderator of Nicholas Collins. 49. |
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de Kerckhove, Derrick. Time, Space and The Self on the 24-hour News Channels. 48. |
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de Mestral, Charles. Mud and Musical Design. 1. |
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de Mestral, Charles. Sonde. 18. |
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de Mestral, Charles. A Note on Sound Sculpture. 37. |
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de Visscher, Eric. In Those [RADIO] Days Horspiel. 46. |
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de Visscher, Eric. Time and Silences: Some Speculative Remarks. 50. |
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de Visscher, Eric. John Cage and the Idea of Harmony. 52. |
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de Visscher, Eric. A Few Short Anecdotes About John Cage. 58. |
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Demnitz, David, Goode, Daniel. Turn Down the Illusion: David Demnitz in conversation with Daniel Goode. 68. |
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Denis, Jean-François. Phonothèque québecoise. 51. |
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Denis, Jean-François. René Lussier: a Guitarist who Speaks a Different Language. 58. |
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Denny, Peter. Farther into Basic Sounds. 54. |
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Derome, Jean. Matter/ Manner : Matière/ Manière. 49. |
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Deschenes, Bruno. The Perception of Colour Through Music. 26. |
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Dessen, Michael. Taking Chances: The Musical Craft of Yusef Lateef. 72. |
|
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Dhomont, Francis. Frères électroacousticiens qui après nous vivrez (peut-être). 55. |
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Dhomont, Francis. To Our Fellow Electroacousticians to Come (maybe). 55. |
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Diamond, Jody. There is No THEY There: World Music is a Dangerous Idea. 47. |
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Dobinson, Michael. Fragile Sounds for Transitory Instruments: The Glass Orchestra. 65. |
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Dodge, Charles. Speech Songs: Charles Dodge in conversation with Gayle Young. 41. |
|
|
Dolden, Paul. Dolden's music: interview by Thomas McLennan. 64. |
|
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Donovan, Erin; Oliveros, Pauline; Adams, John D.S. Still Listening: Reflections on the Life and Music of David Tudor. 70. |
|
|
Doruzka, Petr. Between the New and the Old World: Petr Kotik in Prague. 50. |
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Doruzka, Petr. Czech Bagpipe Master Josef Rezny. 65. |
|
|
Dovercourt, Jonny. Eric Chenaux: Guitarist-Singer-Songwriter Who Won’t Stay Parked, an interview. 93. |
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Drewery, Lauren. Mystery Tapes: Fact or Fiction. 34. |
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Druick, Don. A Genealogy of Vancouver Music, 1965 – 1978. 1. |
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Druick, Don. Talking with NOW. 1. |
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Druick, Don. Tape Music: Thinking About It. 5. |
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Druick, Don; Simpson, Greg. Towards a New Celtic Music. 5. |
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Druick, Don. Music and Things That Make Me Think About Music, and Musical Ideas About Light and Solstice. 9. |
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Dubreuil, Bernard. Les Harmoniques lumineuses de Jacques Dudon. 55. |
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Duke, David Gordon. Notes Towards a Portrait of Barbara Pentland: Issues of Gender, Class, and Colonialism in Canadian Music. 70. |
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Dunaway, Judy. My Beautiful Balloon, Part I, a history of the Balloon as a Sound Producer in Experimental Music. 81. |
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Dunaway, Judy. My Beautiful Balloon, Part 2—Orchestration and Playing Techniques. 82. |
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Dunn, David. Music, Language and Environment. 33. |
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Dunyo, Fred. Ladies are Mostly Singing and Dancing: African Drummer Fred Dunyo in conversation with Kathy Armstrong. 57. |
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Dutton, Paul. Improvising Sound: Ten Sound Poets on the Poetics of Sound. 38. |
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Dutton, Paul. Bp Nichol and the Past-Present of a Future Music. 44. |
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Dutton, Paul. Beyond Doo-Wop or: How I came to Realize That Hank Williams Is Avant Garde. 54. |
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Dutton, Paul. Sonic Core: The Cross-Disciplinary Art of Nobuo Kubota. 65. |
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Dutton, Paul; Raine-Reusch, Randy; Namtchylak, Sainkho. Tearing Down Borders, Opening the Soul: Tuvan vocalist Sainkho Namtchylak (Interview). 68. |
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Dutton, Paul. Sounding the Written Seen. 85. |
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Dutton, Paul. Commentary: Widgets Über Alles: Bizspeak and the Arts. 92. |
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Dyson, Frances. Circuits of the Voice: from Cosmology to Telephony. 53. |
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Edwards, Lucie. Freedom is Rising: Black Popular Music in South Africa. 43. |
|
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Erdmann, Martin. Paean; Concerning Some Aesthetic Changes in Cage's Last Works. 61. |
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Erickson, Kim. An Interview with Kim Erickson, by Tina Pearson. 31. |
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Erickson, Kim. Stella Trylinsky and the Ukrainian Women's Choir of Thunder Bay. 38. |
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Farah, John Kameel. Commentary: A West Bank Music Education. 88. |
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Fenner, Victoria. Commentary: Yoga for the Ears—Why Radio Producers Need to Soundwalk. 87. |
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Fenner, Victoria. Chantal Dumas: A Passion for Listening. 91. |
|
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Ferguson, Sean. Extra-Sensory Percussion: the Percussion Music of alcides lanza. 61. |
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Ferrer, Esther. Does Anarchy Have a Future? 62. |
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Forti, Simone. Excerpts from Handbook In Motion. 20. |
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Forward, Fast. Sound and Gesture, an interview with percussionist Fast Forward by Helen Hall. 56. |
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Foster, Campbell. Architectonics in Musical Space. 21. |
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Franklin, Ursula. Silence and the Notion of the Commons. 59. |
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Frasconi, Miguel; Glass, Philip; Timar, Andrew. A Talk with Philip Glass. 13. |
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Frasconi, Miguel; Cage, John; Timar, Andrew. A Conversation with John Cage. 17. |
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Fraser, Norah. Women Composers, Spirituality and Healing. 31. |
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Friz, Anna. Silo Folie: A Year in the Life of the Silophone. 83. |
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Friz, Anna. The Loudspeaker as Instrument: the soundworks of Nancy Tobin. 88. |
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Friz, Anna. Steve Heimbecker: At Work and Play in the Soundpool. 94. |
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Frykberg, Susan; Montgomery, James; Jarvis, Bentley. The New Music Forum. 13. |
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Frykberg, Susan. The Computer Music Conference, New York. 14. |
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Frykberg, Susan; Oswald, John; Pearson, Tina; Joachim, Otto. Otto Joachim in Conversation. 18. |
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Frykberg, Susan. Machinewoman. 28. |
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Frykberg, Susan. Saxarbra: The Birth; I am I am I am—Machine Woman. 31. |
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Frykberg, Susan. Woman and House: an interview with Susan Frykberg, by Debbie Boyko. 48. |
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Fullman, Ellen. The Long String Instrument: an interview with Ellen Fullman, by Gordon Monahan. 37. |
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Fullman, Ellen. The Long String Instrument. 85. |
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Gaburo, Ken. I Learned Climbing Before I Learned to Run. 15. |
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Gamper, David; Barnett, Bonnie; George, Ron; Louie, Alexina; Wong, Betty and Shirley. 30 Years of Listening—Recollections of Sonic Meditations with Pauline Oliveros. 78. |
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Gasior, Lisa, McCartney, Andra. Commentary: In and Out of the Studio, Women in Electroacoustics. 90. |
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Gasior, Lisa, McCartney, Andra. Diane Leboeuf, Sound Designer: From Mixing Boards to Museums. 90. |
|
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Gasior, Lisa, Shelley Craig, Re-Recording Mixer Extrordinaire. 93. |
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Gauthier, Liette. Mise en scène sonore. 57. |
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Gauthier, Philippe-Aubert; Berry, Alain; Woszczyk, Wieslaw. Creative Sound Projection with Compact Loudspeaker Arrays. 93. |
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Gaysek, Fred. Interview with Waveband. 7. |
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Gebhardt, Nicholas. Taking Ideas for a Walk: A Discussion with Australian Composer Ion Pearce. 66. |
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Gebhardt, Nicholas. A Thread of Musical Thinking: Glenn Gould, J.S. Bach, François Girard and an Art of Sounds. 67. |
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Gebhardt, Nicholas. To Listen You Also Need the Means to…(new music in Australia). 68. |
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Gebhardt, Nicholas. Audio Art and the Future of Public Radio in Australia. 71. |
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Gebhardt, Nicholas. Minimal Concerns, from Australia. 74. |
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Geddes, Murray. Array, with Douglas Perry. 6. |
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Gelinas, Robert. De Le Grande Depression à la Grande Déprime. 18. |
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Gelinas, Robert. Does Bilingual Mean Double-Tongued? 18. |
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|
Genaro, Mike, Thorpe, Josh, Newman, Kurt. No Ulterior Motives—Kurt Newman and Mike Genaro of Wrist Error (an interview by Josh Thorpe). 77. |
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Genge, Anthony. Notes on My Music. 15. |
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George, Michele. Remembering Ourselves: Michele George in conversation with Christopher Butterfield. 42. |
|
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George, Ron; Gamper, David; Barnett, Bonnie; Louie, Alexina; Wong, Betty and Shirley. 30 Years of Listening—Recollections of Sonic Meditations with Pauline Oliveros. 78. |
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Gervais, Raymond. The Passage (12 + 1). 1. |
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Gervais, Raymond. Entretein avec Raymond Gervais et Yves Bouliane. 6. |
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Gervais, Raymond. Sonorities.18. |
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Gervais, Raymond. Les disques de l'imaginaire. 51. |
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Geuer, Juan. The Truthseeker Company (The ? is Our Cornerstone). 21. |
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Geuer, Juan. The Truthseeker Company. 26. |
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Given, Dan. The Piano Artistry of Dana Reason. 74. |
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Glass, Philip; Frasconi, Miguel; Timar, Andrew. A Talk with Philip Glass. 13. |
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Gleasman Pisaro, Kathryn. The Scratch Orchestra: Several Unauthentic Views (interviews with Carol Finer, David Jackman, Richard Ascough, Psi Ellison, Hugh Shrapnel, Bryn Harris, Michael Parsons, John White, John Tilbury, Michael Chant, Howard Skempton). 80. |
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Gleasman Pisaro, Kathryn. Anne LeBaron's Artistic Engagement with a Mississippi Community—Bringing It All Together. 8 |
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Gluck, Robert J. Electro-acoustic Music as an International Phenomenon. 94. |
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Goedart, Johan; Panhuysen, Paul. Snareninstallaties: String Installations. 30. |
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Goldstein, Malcolm. Improvisation. 20. |
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Goldstein, Malcolm. The Gesture of Improvisation (1982). 46. |
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Goldstein, Malcolm. Searching out the Sounding Line. 64. |
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Goldstein, Malcolm. The Politics of Improvisation—Some Fundamental Questions About Music-Making. 77. |
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Goldstein, Malcolm. Improvisation: Towards a Whole Musician in a Fragmented Society; The Gesture of Improvisation; Being in the Sound. 78. |
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Goode, Daniel. Phrases about the Hermit Thrush. 50. |
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Goode, Daniel. Braiding Hot Rolled Steel: The Music of Barbara Benary. 56. |
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Goode, Daniel, Demnitz, David. Turn Down the Illusion: David Demnitz in conversation with Daniel Goode. 68. |
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Goode, Daniel. Commentary: Letter from Vienna—Wien Modern, Wien Oldtime. 78. |
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Goode, Daniel. Reflections on Minimalism: Letter to the Editor. 92. |
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Gotham, Nic. Nigredo Hotel: an Operatic Dive. 58. |
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Gould, Maria. Ascending to Chaos—Urge and the Radical Ordinary. 78. |
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Grabócz, Márta. Narrativité et musique électroacoustique. 51. |
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Gray, D'Arcy Philip. David Tudor: The Art of the Impossible. 69. |
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Gray, D'Arcy Philip. The Music of Veronika Krausas: Time has Died. 83. |
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Guiganti, Bruno. Audicibilité du monde. 63. |
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Guiganti, Bruno. Écoute naturelle et écoute médiatisée. 65. |
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Haines, Jo. Evan Parker at the Music Gallery and at ArtSpace. 6. |
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Haines, Paul. Swan Song for Larry Dubin. 4. |
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Haines, Paul. Jubilee. 34. |
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Hall, Helen. Language as Music: Building an Architecture of Sound. 38. |
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Hall, Helen. Textual Images of Don't Blame the Bedouins by René-Daniel Dubois. 42. |
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Hammock, Janet. I Am A Musician. 31. |
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Hammock, Janet. Newfoundland's Unique Audio-Visual Lab: Organizing the Sound Symposium. 45. |
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Hand, Mark; Parsons, David. Collecting Composers: Resource Services at the Canadian Music Centre. 51. |
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Harley, James; Harley, Maria Anna. Triumphs of Modernity: Xenakis's Kraanerg at Canada's National Arts Centre. 67. |
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Harley, James. The New Nihilism: L'Objet sonore and the Music of Richard Barrett. 72. |
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Harley, James. The Continuous Now—Peter Hatch's Musical Vision and Community Presence. 86. |
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Harley, Maria. Marta Ptaszynska's Music of Perucssion, Poetry and Colour. 74. |
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Harrison, Lou; Timar, Andrew; Crawford, Chris; Frasconi, Miguel. Interview with Lou Harrison. 9. |
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Harwood, Andrew, Boulaine, Yves, Crawford, Christopher, Oswald, John. Yves Bouliane: talk about Improvising. 10. |
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Hassell, Jon. Possible Musics. 13. |
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Hatch, Peter. A Talk About Time and Syntax in Music. 54. |
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Hawkes, E. W. Music in the North (1916). 26. |
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Hayman, R.I.P. Sound Asleep, Dreaming of Music, R.I.P. Hayman in conversation with Gordon Monahan. 38. |
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Hayman, R.I.P. On The Way: the near-death experience. 56. |
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Hayman, R.I.P. Encounters with John Cage. 58. |
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Hodgkinson, Tim. Improvised Music and Siberian Shamanism. 66. |
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Hodgkinson, Tim. Ana-Maria Avram and Iancu Dumitrescu: In the Land of the Ninth Sky. 71. |
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Holsaepfel, John. A Tudor Realization. 76. |
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Horseman. Brent. New Brunswick Punk. 24. |
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Horwood, Michael S. My Own Fluxus Pieces, 1977–78. 1. |
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Horwood, Michael S. Convergence. 7. |
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Howard, Chris. Making Do In New York, or What to do Until the 68000 Comes. 14. |
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Howard, Chris; Rayer, Robert. Night Kitchen: Kathleen Yearwood and Ross White. 18. |
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Howard, Chris. Electronic Music Studios in Montréal. 18. |
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Hunt, Jerry. Stompin' and Beatin' and Screamin', an interview with Jerry Hunt, by Gordon Monahan. 39. |
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Hurlbut, Andrew. Strange Attractors: Tim Brady's music for electric guitar. 67. |
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Hykes, David. An Interview with David Hykes, by David Mott. 35. |
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Hyland, Marc. De la composition traditionnelle à l'improvisation. 69. |
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Hymer Jennifer. Annea Lockwood—From Burning Pianos to sound-mapping the Danube. 84. |
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Iacobucci, Marisa, Jol, Christina, Montgomery, James. Guerrilla Gallery—The Music Gallery in Audio Survival Mode. 78. |
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Ivakhiv, Adrian. (De)composing in the Postmodern Soundscape. 64. |
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Jaeger, Sally. Not By Electronics Alone. 1. |
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Jarvis, Bentley; Frykberg, Susan; Montgomery, James. The New Music Forum. 13. |
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Jenks, Kathleen. Commentary: Ears of a Siberian Reindeer. 89. |
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Joachim, Otto; Frykberg, Susan; Oswald, John; Pearson, Tina. Otto Joachim in Conversation. 18. |
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Johnson, Scott. Against Purity. 75. |
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Johnson, Tom. Explaining My Music: Keywords. 74. |
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Johnson, Tom. Old Times and New: Minimalist Tom Johnson Talks with Conceptualist Jim Burton. 89. |
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Jull, Ole. Recipe for Quick Music Production. 7. |
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Kahn, Douglas. John Cage & John Zorn on Record. 53. |
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Kaiser, Henry. The Music is a Strange Mixture of Things: an interview with Henry Kaiser by Mike Hovancsek. 54. |
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Kamevaar, John. Musicgraphics. 13. |
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Karp, Ellen. Inuit Throat and Harp Songs. 23. |
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Kasemets, Udo. After Cage's Roaratorio; a Cheap Imitation. 19. |
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Kasemets, Udo. Counterbomb Renga; As a Matter of Sound. 21. |
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Kasemets, Udo. Acrostics / Tancrostics (Poems / Scores). 22. |
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Kasemets, Udo. Timescapes: Earthspin, Celestial Timescapes and Ragtime. 29. |
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Kasemets, Udo. Symposium: Synergetics and the Arts: (Re)tuning Humanity (regarding Buckminster Fuller's concepts). 33. |
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Kasemets, Udo. A Proposal for a Study of the Genealogy of Twentieth-Century Canadian Music. 51. |
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Kasemets, Udo. Systems … A Concise Summary of I Ching; John Cage and I Ching; I Ching and I (3 articles). 62. |
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Kasemets, Udo. Hexagram #14 for John Cage: A Yi Jing Jitterbug Vococtet. 52. |
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Kasemets, Udo. Tuning of Systems to Systems of Tuning. 57. |
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Kasemets, Udo. NowNotes: (Re)Reading John Cage. 75. |
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Kasemets, Udo. NowNotes: 0'0 by John Cage—Reflections on Music of the Moment. 76. |
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Kasemets, Udo. NowNotes: Word Mind Webs. 77. |
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Kasemets, Udo. NowNotes: I Hear, Therefore I am. 78. |
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Kasemets, Udo. NowNotes: MusicOLOGY or MUSICology? 79. |
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Kasemets, Udo. NowNotes: Ruthful Ruth. 80. |
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Kasemets, Udo. NowNotes: Time of Music of Time. 81. |
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Kasemets, Udo. NowNotes: What Now? 82. |
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Kasemets, Udo. NowNotes: Jackson Mac Low (80) & John Cage (90). 83. |
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Kasemets, Udo. NowNotes: Future is Past is Now. 84. |
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Kasemets, Udo. NowNotes: corrections, verbs, questions. 85. |
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Kasemets, Udo. NowNotes: Questions???? 86. |
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Kasemets, Udo. NowNotes: Musiquestions. 87. |
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Kasemets, Udo. NowNotes: Project Symphosium, to know or not to know. 88. |
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Kasemets, Udo. NowNotes: Project Symphosium, end of an era. 89. |
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Kasemets, Udo. NowNotes: Project Symphosium, Against Ignorance. 90. |
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Kasemets, Udo. NowNotes: Project Symphosium, Art and Politics, part 1. 91. |
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Kasemets, Udo. NowNotes: Project Symphosium, Art and Polkitics, part 2. 92. |
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Kasemets, Udo. NowNotes: Project Symphosium, Listen. 93. |
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Kasemets, Udo. NowNotes: Time To Speak Up. 94. |
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Kasemets, Udo. Malcolm Goldstein, an Artistic Practice at its Height. 93. |
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Kassel, Richard. Harry Partch in the Field. 51. |
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Kay, Steve. Tower People. 24. |
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Keane, David. A European Tour, 1979. 9. |
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Kelly, Fergus. Sound installations, an Interview by Sean O'Huigin. 67. |
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Kennedy, Kathy. A Phantom of Opera: R. Murray Schafer's The Greatest Show. 45. |
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Kennedy, Kathy. Guerilla Performance Radical Radio. 59. |
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Kennedy, Chris. Interventions of Vision and Sound: la cellule d’intervention Metamkine. 94. |
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Kostelanetz, Richard. John Cage: The Development of his Visual Art. 52. |
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Kostelanetz, Richard. Recent Thoughts About John Cage. 59. |
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Küpper, Leo. Computers and Voices. 23. |
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LaBarbara, Joan. Exploring the Voice. 21. |
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Lander, Dan. Radio Art: The Pubescent Stage. 53. |
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Langmuir, Judy; Smith, Laurie. Voices from Within Are Heard. 55. |
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lanza, alcides, Lewin-Richter, Andres. Intersecting Planes, a Reminiscence of Edgard Varese, Part 1. 81. |
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lanza, alcides, Lewin-Richter, Andres. Intersecting Planes—a Reminiscence of Vladimir Ussachevsky, Part 2. 82. |
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lanza, alcides, Lewin-Richter, Andres. On Hugh Le Caine, Electronic Music Pioneers, part 3. 83. |
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Laramée, Guy. Tuyo: The Impression of Consonance and of the Strange, an interview with Guy Laramée by André Paradis. 40. |
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Le Caine, Hugh. When Sound Has a Form of its Own. 43. |
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Lederman, Anne. Native and Métis Fiddling in Western Manitoba. 36. |
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Lederman, Anne. The Folk Artists of Shaanxi (China). 47. |
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Lederman, Anne. More Than Music: Reflections on the Children's Music Business. 63. |
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Lederman, Anne. Mr. Flash and Miss Click: Ethnomusicology in the Global Village. 68. |
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Leduc, Daniel. Des miniatures stratifiés. 67. |
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Lee, David. Notes Toward a Unified Theory of Chaos & Improvisation or: the autonomy of tiny things. 54. |
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Lee, Hope. Eastern Traditions in Western Contexts (interview by Tim Brady). 75. |
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Leng Tan, Margaret. John Cage Poses a Few Last Questions. 59. |
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Lewin-Richter, Andres, lanza, alcides. Intersecting Planes, a Reminiscence of Edgard Varese, Part 1. 81. |
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Lewin-Richter, Andres, lanza, alcides. Intersecting Planes—a Reminiscence of Vladimir Ussachevsky, Part 2. 82. |
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Lewin-Richter, Andres, lanza, alcides. On Hugh Le Caine, Electronic Music Pioneers, part 3. 83. |
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Lewis, Tilman. Testing the Limits of the Possible, a portrait of John Gzowski. 89. |
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Lewis, Tilman. Where the Frets Fall: a Brief Introduction to Microtonality. 89. |
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Lockwood, Annea. Piano Burning. 17. |
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Loktev, Julia. The Body as Organ. 53. |
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Longton, Michael. Composition After Technology: the Real Time Digital Music System at University of Victoria. 15. |
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Loubet, Emmanuelle. The Ondo Singers of Kawachi, Japan. 93. |
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Louie, Alexina; George, Ron; Gamper, David; Barnett. Bonnie; Wong, Betty and Shirley. 30 Years of Listening—Recollections of Sonic Meditations with Pauline Oliveros. 78. |
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Lowenstein, Oliver. Return to the Body: Techno-motion Musician Rolf Gehlhaar's Sound=Space. 76. |
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Lucier, Alvin. Crossings: Alvin Lucier in conversation with James Tenney. 41. |
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Ludwick, Patricia. Alone (excerpt from dramatic script). 31. |
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macCormac, sylvi. Conversations with Nature: Hildegard Westerkamp's Soundscape Composition Talking Rain. 74. |
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MacKenzie, Robin. Bagpipes, Voices and Ocean. 24. |
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Maguire, Terrill; Phillips, Gordon. Marrow and Skin Deep. 7. |
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Maguire, Terrill. First, Nature. 45. |
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Maher, Ciaran. James Tenney on Intention, Harmony and Phenomenology—A Different View of the Larger Picture. 77. |
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Malthouse, David. Towards the Pregeometry. 4. |
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Mason, Roger Burford. Wood, Metal and Mechanical Connections: Gabriel Kney, pipe organ builder. 47. |
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Mattes, Al. CCMC European Tour. 5. |
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Mattes, Al; Parker, Evan; Anson, Peter. Talk with Evan Parker. 10. |
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Mayr, Albert, Bouliane, Yves. Interview with Albert Mayr. 7. |
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Mayr, Albert. The Music of Times and Tides. 29. |
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McCalum, David; Rokeby, David; Young, Gayle. David Rokeby’s Vision of Hearing, Artistic Explorations of Sight, Sound and Silence. 87. |
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McCartney, Andra. Soundwalk in the Park with Hildegard Westerkamp. 72. |
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McCartney, Andra, Gasior, Lisa. Commentary: In and Out of the Studio, Women in Electroacoustics. 90. |
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McCartney, Andra, Gasior, Lisa. Diane Leboeuf, Sound Designer: From Mixing Boards to Museums. 90. |
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McIntosh, Diana. Sonic Geography Winnipeg. 93. |
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McLennan, Thomas, Dolden, Paul. Dolden's music: interview by Thomas McLennan. 64. |
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McFarlane, Matthew. Learning to Listen, the Rich Aural Art of Francis Dhomont. 88. |
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Melnyk, Lubomyr. Continuous Piano Playin. 17. |
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Melnyk, Lubomyr. Endless—Notes to the Recording KMH. 7. |
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Mengelberg, Misha . An interview with Andrew Timar. 14. |
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Migone, Christof. Language is the Flower of the Mouth. 53. |
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Mikkigak, Haunak, Petalaussie, T. Katajaiit (Throat Games) with Haunak Mikkigak. 23. |
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Milano, Sessione. Talk with Sessione Milano: Shamanism by Committee (with Chris Crawford). 10. |
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Monahan, Gordon. The Tidal Rhythm of the Bay of Fundy; Far Away Sounds; Harbour Symphony, St John's Newfoundland. 24. |
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Monahan, Gordon, Ingelevics, Vid. Breath Guided Music: The New Music Co-operative. 25. |
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Monahan, Gordon. Singing Wires: The Music of Aeolean Harps. 30. |
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Monahan, Gordon. A Half Hour Behind Means They're Slightly Ahead: The 1986 Newfoundland Sound Symposium. 36. |
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Monahan, Gordon, Fullman, Ellen. The Long String Instrument: an interview with Ellen Fullman, by Gordon Monahan. 37. |
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Monahan, Gordon. Helicopter-style Music / Music before Civilization. 40. |
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Monahan, Gordon. Kinetic Sound Environments as a Mutation of the Audio System. 63. |
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Monahan, Gordon. The Amplified Touring Sound Installation: New and Used Furniture Music; When it Rains. 85. |
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Monk, Meredith. Do You Be: Meredith Monk in conversation with Rob Bowman on Language and Aesthetics. 42. |
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Montgomery, James; Frykberg, Susan; Jarvis, Bentley. The New Music Forum. 13. |
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Montgomery, James. Affinity Groups. 43. |
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Montgomery, James, Jol, Christina, Iacobucci, Marisa. Guerrilla Gallery—The Music Gallery in Audio Survival Mode. 78. |
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Morand, Louise. Une entrevue avec le bassoniste Michel Bettez. 67. |
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Morton, Colin. Kurt Schwitters at Zero Gravity. 44. |
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Mott, David. Towards a New Mind / Body Music (Part 1). 19. |
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Mott, David. Towards a New Mind / Body Music, Part 2. 20. |
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Mott, David. Meditation I (for violin) for Malcolm Goldstein. 20. |
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Mott, David. Towards a New Mind / Body Music, Part 3. 21. |
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Mott, David. Towards a New Mind / Body Music, Part 4: David Mott in Conversation with Tina Pearson. 25. |
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Mott, David. Blue Light/ White Light Meditation. 25. |
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Moule, Richard. The Nihilist Spasm Band—Consciously Striving for a Wall of Sound. 81. |
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Mountain, Rosemary. Creating and Contributing, the Expansive Spirit of Marcelle Deschênnes. 86. |
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Mozetich, Marjan. A Carnal Viewpoint of Time. 29. |
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Namtchylak, Sainkho; Raine-Reusch, Randy; Dutton, Paul. Tearing Down Borders, Opening the Soul: Tuvan vocalist Sainkho Namtchylak. 68. |
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Neil, Al. Howard Broomfield: an interview with Al Neil. 9. |
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Neil, Al. How to Play the Piano. 17. |
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New Music Co-op. The New Music Co-op: a Brief History. 9. |
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Newman, Jenna. Sonic Geography Vancouver. 93. |
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Newman, Kurt; Thorpe, Josh; Genaro, Mike. No Ulterior Motives—Kurt Newman and Mike Genaro of Wrist Error (an interview by Josh Thorpe). 77. |
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Noyes, Charles. Man, Animals and Music: Cross-Species Contact. 20. |
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Noyes, Charles. Seven Examples of the Peculiar in North Indian Music. 34. |
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Nungak, Nellie; Alasuak, Alassie. Katajaiit (Throat Games). 23. |
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Nunn, Tom. Original Musical Instruments for Real Time Composition. 37. |
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Oliver, John. Reinventing Tradition: the past, present and future of Zheng Virtuoso Mei Han. 92. |
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Oliveros, Pauline; Timar, Andrew. Talk with Pauline Oliveros. 10. |
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Oliveros, Pauline; Donovan, Erin; Adams, John D.S. Still Listening: Reflections on the Life and Music of David Tudor. 70. |
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Oliveros, Pauline. Quantum Improvisation: The Cybernetic Presence. 75. |
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Oliveros, Pauline. Quantum Listening—from Practice to Theory (to Practise Practice). 76. |
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Onalik, Joase. I am From Nutak. 23. |
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O’Keeffe, Linda. Sonic Geography Ireland. 93. |
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Oswald, John. Alto Sax Playing. 1. |
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Oswald, John. Talk with the Government. 10. |
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Oswald, John. To Be Discussed, an interview with Peter Cusack. 10. |
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Oswald, John, Crawford, Christopher, Harwood, Andrew, Boulaine, Yves. Yves Bouliane: talk about Improvising. 10. |
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Oswald, John. Mendelson Joe Speaks—to John Oswald. 14. |
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Oswald, John; Frykberg, Susan; Pearson, Tina; Joachim, Otto. Otto Joachim in Conversation. 18. |
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Oswald, John. Music and Dance: Jennifer Mascall Talks to John Oswald. 19. |
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Oswald, John. The Threshold of Instantaneous Motion Sense. 29. |
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Oswald, John. Plunderphonics, or audio piracy as a compositional prerogative. 34. |
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Oswald, John; Geo Ray Brain. Mystery Tape Laboratory Annual Report. 40. |
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Oswald, John. Recipes for Plunderphonics: an interview with John Oswald, Part 1, by Norman Igma. 47. |
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Oswald, John. Taking Sampling 50 Times Beyond the Accepted: an interview with John Oswald, Part 2, by Norman Igma. 48. |
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Ouellet, Pierre. Interspecies Music. 20. |
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Oughton, John. Memories of Larry Dubin. 9. |
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Palmer, Juliet Kiri. W is For—Singing a Dictionary from Childhood. 83. |
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Panhuysen, Paul; Goedart, Johan. Snareninstallaties: String Installations. 30. |
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Panneton, Isabelle. Trio Fibonacci's Zest for Modern Repertoire. 81. |
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Paradis, André. New Roots in Air, Radio Revival, interviews with alternative radio producers. 39. |
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Parker, Evan; Mattes, Al; Anson, Peter. Talk with Evan Parker. 10. |
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Parkinson, Stephen; Collinge, Doug. Audience-Sensitive Sound Installation. 28. |
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Parkinson, Stephen. Acknowledging the Mind's Ear. 15. |
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Parsons, David; Hand, Mark. Collecting Composers: Resource Services at the Canadian Music Centre. 51. |
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Pasquier, Philippe; Thérien, Marie-France. The CD-Audio-MP3 Format Should be Revolutionizing Music Distribution – Why Isn’t it? 93. |
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Pearson, Tina; Oswald, John; Frykberg, Susan; Joachim, Otto. Otto Joachim in Conversation. 18. |
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Pearson, Tina. Making Sound: Lisa Nelson and Danny Lepkoff. 19. |
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Pearson, Tina; Timar, Andrew. La Groupe de la Place Royale: an interview with Peter Boneham, Mark Harada, Michael Montanero. 19. |
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Pearson, Tina. Ojibway Dance: The Richard Lyons Dance Troupe. 19. |
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Pearson, Tina. Bodysounds: Andy Warshaw in Conversation. 20. |
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Pearson, Tina, Skinner, Anne. Touching Resonance, a Talk with Anne Skinner on the work of Kristin Linklater and Other Things. 23. |
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Pearson, Tina; Schafer, R. Murray. Beyond Ra: R. Murray Schafer interviewed by Tina Pearson. 25. |
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Pearson, Tina. Throatsinging—Alassie Alasuak and Nellie Nunguak. 31. |
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Pearson, Tina. Angels and Demons and Pauline Oliveros. 31. |
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Pearson, Tina. Gayle Young: Musical Instruments and Influences. 31. |
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Pearson, Tina. Making a Cree Drum with Albert Davis. 37. |
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Peebles, Sara. Exploring the Origins, Delving into the Present: Ushio Torikai. 49. |
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Peebles, Sarah. High-tech versus My-tech: Developing Systems for Electroacoustic Improvisation and Composition. 66. |
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Petalaussie; T., Mikkigak, Haunak. Katajaiit (Throat Games). 23. |
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Piché, Jean. Thoughts, Contentions, and Composition: Electronic Music 1981. 15. |
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Polansky, Larry. About Moving. 59. |
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Polansky, Larry. Rewriting Ruth Crawford Seeger—Comparrangetranscraboration. 81. |
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Porzio, Michele. A White Cage Inside Four Walls: John Cage. 52. |
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Porzio, Michele. Nell'intero corso (John Cage). 59. |
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Pratt, Lauren. On the Side of Culture—Reflecting on the Cultural Climate for New Music. 77. |
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Preuschat, Sibylle. Word and Music in the Orthodox Church: a Tradition of Balance. 38. |
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Prévost, Hélène. «Autour» de l'écoute radiophonique. 70. |
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Pritchett, James. Time in Ten (by John Cage). 59. |
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Prophet, Barry. Your Computer as Instrument, part 2 (DIY column). 91. |
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Pui Ming, Lee; Raine-Reusch, Randy. Into the Past, Finding the Future, an Interview. 70. |
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Quin, Douglas. Antarctica: Austral Soundscapes. 69. |
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Racca, Fabian O. Carbonoproyecto; Listening in Argentina. 89. |
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Raine-Reusch, Randy; Sawai, Kazue. From Hope to Reality, an Interview. 66. |
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Raine-Reusch, Randy; Takahashi, Yuji. From Body to Body, an Interview. 67. |
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Raine-Reusch, Randy; Namtchylak, Sainkho; Dutton, Paul. Tearing Down Borders, Opening the Soul: Tuvan vocalist Sainkho Namtchylak, an interview. 68. |
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Raine-Reusch, Randy, Pui Ming, Lee. Into the Past, Finding the Future: An Interview by Randy Raine-Reusch. 70. |
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Raine-Reusch, Randy. Winds of Change: Traditional Music in Northern Borneo. 73. |
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Raine-Reusch, Randy. Barry Truax: Stretching Time, Stretching Sound. 79. |
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Raine-Reusch, Randy. Integrating Extremes: the Music of Richard Teitelbaum. 85. |
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Rapoport, Paul. Some Equal Temperaments are More Equal than Others and Decidedly more Temperamental. 43. |
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Rapoport, Paul. Just Shape, Nothing Central. 60. |
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Rapoport, Paul. Gimme Fives, microtonal music. 61. |
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Ratté, Michel. Situation des improvisateurs interprétant théoriquement l'improvisation. 54. |
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Ratté, Michel. Réinterpréter l'improvisation musicale: l'improvisation comme forme. 66. |
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Ratté, Michel. Complexité et diversité dans la musique de Wreck's Progress. 72. |
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Rawcliffe, Susan. Jolted Awake: New Sounds from Ancient Instruments. 55. |
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Rayer, Robert. Non-Music. 18. |
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Rayer, Robert; Howard, Chris. Night Kitchen: Kathleen Yearwood and Ross White. 18. |
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Rea, John. Reception and Offering Music. 7. |
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Rea, John. Musicians of Note(s). 18. |
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Ready, Patrick; Vic d'Or. A Short History of Radio. 6. |
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Ready, Patrick. Jets of Water and Sound. 23. |
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Reitzenstein, Reinhard; Young, Gayle. Collaboration: Three Installation Works with Sound. 13. |
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Reitzenstein, Reinhard. The Wiki Pow Wow: Medicine Hoop Drum. 36. |
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Revoczi,Tamás. Acoustic/Artistic Exploration/Experimentation. 65. |
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Ritter, Don. Interactive Video as a Way of Life. 56. |
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Rivest, Johanne. Une tension et une dé-tension, entrevue avec Joëlle Léandre. 58. |
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Rivest, Johanne. John Cage and the Fusion of Art and Life, with Franz von Rossum. 62. |
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Robert, Jocelyn. Le Very Nervous System de David Rokeby. 56. |
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Roberts, William V. March Màpt: Kim Erickson's work for music theatre. 36. |
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Rogalsky, Matt. Martin Bartlett: Xenomelophiliac. 69. |
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Rogalsky, Matt. David Tudor's Virtual Focus. 73. |
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Rokeby, David. Dreams of an Instrument Maker. 30. |
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Rokeby, David. Cybernetic Installation: First Real Snake (with demonstration). 33. |
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Rokeby, David. The Harmonics of Interaction. 46. |
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Rokeby, David, McCalum, David, Young, Gayle. David Rokeby’s Vision of Hearing, Artistic Explorations of Sight, Sound and Silence. 87. |
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Rosen, Robert J., Christensen, Peter. Commentary on Canyon Shadows: Stones (performance piece by RJ Rosen). 56. |
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Rosenboom, David, Teitelbaum, Richard. David Rosenboom and Richard Teitelbaum in conversation. 21. |
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Rosenboom, David. On Being Invisible. 28. |
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Ross, Stuart. The Flout What Kilt Foster. 5. |
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Rothenberg, David. Get Out of Whatever Cage: Avant-Garde in the Natural World. 58. |
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Rothenberg, David. Get Me Those Toys! Making Sense of Media Art. 66. |
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Rovner, Anton. Alexamder Nemtin: The Completion of Scriabin's Prefatory Action. 80. |
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Ruebsaat, Norbert. Power Songs; A Walk Through the City (poems). 26. |
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Ruebsaat, Sonja; Ruebsaat, Norbert. A Sound is Just Something That Happens. 35. |
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Russell, Bruce. 230 strings, Innumerable Possibilities—the Sabat/Clarke Violin/Piano duo. 77. |
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Sacks, Rick. Michael J. Baker: Notes of Grace. 83. |
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Salvatore, Gianfranco. Can Archetypes be Heard? 49. |
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Sampson, Peggie. The Contemporary Viola de Gamba. 3. |
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San Martín, Patricia Silvana. Armilla (with María Isabel Pozzo). 60. |
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Sankaran, Trichy; Tenney, James; Sokol, Casey. The Tuning of Time, an Interview. 29. |
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Sankaran, Trichy. Writing for Gamelan Ensemble. 47. |
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Sawai, Kazue; Raine-Reusch, Randy. From Hope to Reality: An Interview. 66. |
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Schafer, R. Murray. Ten Centuries Concerts: a Recollection. 9. |
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Schafer, R. Murray, Westerkamp, Hildegard. Wilderness Lake: conversation with R. Murray Schafer. 15. |
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Schafer, R. Murray; Pearson, Tina. Beyond Ra: R. Murray Schafer in Conversation with Tina Pearson. 25. |
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Schafer, R. Murray. The Transformations of Water: Frozen Water; The Acoustic Community. 25. |
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Schafer, R. Murray. For Composers to Become Acoustic Designers; Music in the Cold. 26. |
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Schafer, R. Murray. The Hi-Fi and the Lo-Fi Soundscape; Schizophonia. 28. |
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Schafer, R. Murray. Ursound. 29. |
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Scheidt, Dan. Computer Music. 28. |
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Schell, Michael. Unlikely Persona: Jerry Hunt (1943–1993). 65. |
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Schmidt, Gue. Visions of Sound: the scores of Anestis Logos. 93. |
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Schneemann, Carolee. Integrating Sculpture, Space and Sound. 56. |
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Scholz, Christian. On Kurt Schwitters' Ursonate (1932). 44. |
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Schryer, Claude. Anecdotal Electroacoustics. 39. |
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Schryer, Claude. A Radio Document: Radio-Canada's Musique Actuelle. 51. |
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Schryer, Claude. Ecology, Electroacoustics and Radio. 53. |
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Schryer, Claude. Freedom Waves From Africa: The 6th World Community Radio Conference, AMARC (with Evelyne Foy). 62. |
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Schryer, Claude, Zapf, Donna, Bartlett, Martin, Butterfield, Christopher. Music from the Black Box—Martin Bartlett in Conversation with Chris Butterfield, Claude Schryer, Donna Zapf. 69. |
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Schryer, Claude. Searching for the Sharawadji Effect: Electroacoustics and Ecology. 70. |
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Sharman, Rodney. A Sermon, A Narrative and A Prayer. 58. |
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Shepherd, Stuart. Composers and Choreographic Seminar. 6. |
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Shepherd, Stuart. Memories from the First National Choreographic Seminar. 19. |
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Shepherd, Stuart. Some Reflections on the Political Economy of Concert Music in North America. 43. |
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Sheridan, Ted. Notes on an Aural History of Architecture; Sound Design for Loisaida, Manhattan (2 articles). 67. |
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Sherlock, John. Creating Space for Love: Reflections on Music and Spirituality, the music of Maria de Alvear. 68. |
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Sherlock, John Mark. Michael J. Baker: Notes of Grace. 83. |
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Sherlock, John Mark; Young, Gayle. Christian Wolff: Unsettling the Score. 91. |
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Shorley, Ken. Vidwan Trichy Sankaran: So Much to Learn, so Much to Give. 59. |
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Siddall, Jon. Take a Walk, Only Listening. 5. |
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Siddall, Jon. Understanding Intonation. 21. |
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Siddall, Jon. The Enduring Allure of the Tropics—Notes on Gamelan. 37. |
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Siegner, Dwight. New Music in the Maritimes; Rubbings. 24. |
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Simard, Nicole; Bruyere, Marie-France. Oranges. 19. |
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Simpson, Greg; Druick, Don. Towards a New Celtic Music. 5. |
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Skinner, Anne, Pearson, Tina. Touching Resonance, a Talk with Anne Skinner on the work of Kristin Linklater and Other Things. 23. |
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Smith, Linda C. Composing Identity: What is a Woman Composer? 80. |
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Smith, Linda C., Michaels, Anne, de Alvear, Maria, Egoyan, Eve, Popescu, Doina. Maria de Alvear—the Magic of Asking. 84. |
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Snow, Michael. The Last LP, Michael Snow in conversation with Gayle Young. 39. |
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Sokol, Casey. Notes on Piano Improvisation. 17. |
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Sokol, Casey; Tenney, James; Sankaran, Trichy. The Tuning of Time, an interview with South Indian Musician Trichy Sankaran. 29. |
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Southam, Ann. Choice and Interpretation, an interview with Ann Southam, by Carol Anderson. 46. |
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Southam, Ann; Kalvos & Damian. If Only I Could Sing: Ann Southam in Conversation. 71. |
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Spiteri, Vivienne. Commentary: Clipping the Wings of the Muse. 79. |
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Spiteri, Vivienne. Jacky Merit: A Lifetime Burning. 79. |
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Steenhuisen, Paul. Martin Arnold—Getting Lost, an Art of Musical Meandering. 87. |
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Steenhuisen, Paul. Panning for Gold: Christopher Butterfield and the Rewards of Processual Composition. 90. |
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Steenhuisen, Paul. The Receptive Clarinet of François Houle. 92. |
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Stewart, Jesse. The Other Rock Music—Constructing the Multi-Intonational Lithophone. 76. |
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Stewart, Jesse. Notes Towards a Canadian Remix. 91. |
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Stubley, Eleanor. Janet Cardiff: Step and Breath, Space and Body Motion in the Experience of Music. 84. |
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Suluk, Donald. Donald Suluk Speaks About Traditional Inuit Music. 23. |
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Susan Frykberg. Claude Vivier in conversation with Susan Frykberg. 18. |
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Sutherland, W. Mark. Christian Bök: Visions of Sound. 91. |
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Sykes, Debra (now Claire). Spatialman: Henry Brant and His Music. 64. |
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Sykes, Claire. Sounding the World: The Technical and Musical Diversity of Randy Raine-Reusch. 71. |
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Sykes, Claire. Dreaming into the Work—the Interpretive Piano Art of Eve Egoyan. 77. |
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Sykes, Claire. Paul Plimley: Playing with Fire. 79. |
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Sykes, Claire. Spiritual Spectralism, the Music of Jonathan Harvey. 87. |
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Sykes, Claire. Stuart Dempster, Sound Gatherer. 94. |
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Szemzö, Tibor; Doruzka, Petr. Messenger from the Gray Zone, an interview. 60. |
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Szlavnics, Chiyoko. City Sites as Performance Settings: Some Accounts and Reflections. 69. |
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Szlavnics, Chiyoko. Robin Hayward: Refining an Instrument. 89. |
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Szlavnics, Chiyoko. Sonic Geography Berlin. 93. |
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Takahashi, Yuji; Raine-Reusch, Randy. From Body to Body: An Interview by Randy Raine-Reusch. 67. |
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Teitelbaum, Richard, Rosenboom, David. David Rosenboom and Richard Teitelbaum in conversation. 21. |
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Tenney, James; Young, Gayle. An Interview. 4. |
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Tenney, James. John Cage and the Theory of Harmony. 27 |
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Tenney, James; Kasemets, Udo; Pearson, Tina. A Tradition of Experimentation: James Tenney in Conversation. 27. |
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Tenney, James; Sankaran, Trichy; Sokol, Casey. The Tuning of Time, an interview with South Indian Musician Trichy Sankaran. 29. |
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Tenney; James; Lucier, Alvin. Crossings: Alvin Lucier in conversation with James Tenney. 41. |
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Tenney, James. Citation for Udo Kasemets. 62. |
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Tenney, James; Young, Gayle. Transparent to the Sounds of the Environment, James Tenney in Conversation. 64. |
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Tenney, James; Maher, Ciaran. James Tenney on Intention, Harmony and Phenomenology—A Different View of the Larger Picture. 77. |
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Tenney, James; Young, Gayle. Invisible Boundaries—James Tenney's Cultural and Compositional Diversity. 77. |
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Tenney, James; Young, Gayle. Tenney Plays Cage's Sonatas and Interludes for Prepared Piano. 86. |
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tENTATIVELY, a cONVENIENCE. & the Deadbeat Goes On & On & On. 63. |
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Thériault, Nadene. Two Composers in the Form of a Pair. 58. |
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Thoreau, Henry David. Thoreau and the Telegraph Harp: excerpts from Thoreau's Journals. 30. |
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Thornton, NG. Consider the Idea of Sound. 20. |
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Thorpe, Josh; Newman, Kurt; Genaro, Mike. No Ulterior Motives—Kurt Newman and Mike Genaro of Wrist Error. 77. |
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Thorpe, Josh. The Uttered Nonsense of Jaap Blonk. 79. |
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Timar, Andrew. A Genealogy of New Music Groups in Toronto—1912-1978. 6. |
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Timar, Andrew. Interview with CKRG Radio. 7. |
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Timar, Andrew; Bartlett, Martin. An Interview with Marytin Bartlett. 7. |
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Timar, Andrew; Oliveros, Pauline. Talk with Pauline Oliveros. 10. |
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Timar, Andrew; Frasconi, Miguel; Glass, Philip. A Talk with Philip Glass. 13. |
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Timar, Andrew; Misha Mengelberg, an interview. 14. |
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Timar, Andrew; Frasconi, Miguel; Cage, John. A Conversation with John Cage. 17. |
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Timar, Andrew; Pearson, Tina. La Groupe de la Place Royale: an interview with Peter Boneham, Mark Harada, Michael Montanero . 19. |
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Timar, Andrew. Working with Dance: a Personal History. 19. |
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Timar, Andrew. Jamming at the Frog Bog (Ann Farrell and Andrew Timar). 20. |
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Timar, Andrew. Frogbog and Cricket Chorus. 29. |
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Timar, Andrew. A Few Notes on My Recent Music. 40. |
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Timar, Andrew. Ten Years in Ten Thoughts. 40. |
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Timar, Andrew. Trichy Sankaran: South Indian Drummer, Western Composer. 59. |
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Tittle, Steve. Murphy's Law (ensemble). 24. |
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Tremblay, Danielle. Quand les femmes se mêlent d'improvisation: Joane Hétu. 54. |
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Truax, Barry. Ingemar von Heijne: interview with the World Soundscape Project. 9. |
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Truax, Barry. The Listener. 35. |
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Twomey, Chris. Glenn Branca's Sound Field of Dreams. 66. |
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Twomey, Chris. The Mutantrumpet of Ben Neill: Where the Scientific & the Mystical Meet. 68. |
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Twomey, Chris. Eno's Music for Airports. 73. |
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Twomey, Chris. Voices Have Never Failed Him Yet, the New Vocal Compositions of Gavin Bryars. 74. |
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Twomey, Chris. Microsound, a New Electronic Music Aesthetic. 82. |
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Underhill, Owen. The New Tonality. 40. |
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Vaillancourt, Lorraine; Smith, Linda C. Already à l'aise: an interview. 61. |
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van Emmerick, Paul. Right Up To The Final Victory (John Cage). 58. |
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van Houdt, Reinier; van Peer, Rene. A Vast and Elusive Musical Architecture— Performing Sorabji's Symphony no. 4 for Piano Alone. 87. |
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van Peer, René. The Glass Dance-House: the Preservation of Hungarian Music. 50. |
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van Peer, René. Art of Coexistence: Felix Hess, Peter Cusack, Douglas Quin, Paul Panhuysen. 59. |
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van Peer, René. Holland Blunts the Cutting Edge: The Closing of Het Apollohuis. 69. |
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van Peer, Rene, Varela, Daniel. Francisco Lopez: Waterfall Music. 82. |
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Vander Zag, Elizabeth. Digital Composing Kit. 6. |
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Vasks, Peteris. The Suffering and Joy of Creation (Introduced and translated by Nic Gotham). 63. |
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Vic d'Or; Ready, Patrick. A Short History of Radio. 6. |
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Wallace, Keith. LAIWAN and Lori Freedman – a Collaborative Sound Installation. 94. |
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Wannamaker, Rob. Soundweb: Web Resources for New Music. 78. |
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Wannamaker, Rob. Soundweb: Web Resources for New Music II. 79. |
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Wannamaker, Rob. Soundweb: Web Resources for New Music III. 80. |
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Waterman, Ellen. Confluence and Collaboration, Part 1: R Murray Schafer's Patria the Epilogue: And Wolf Shall Inherit the Moon. 70. |
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Waterman, Ellen. Confluence and Collaboration, Part 2, Performing R Murray Schafer's And Wolf Shall Inherit the Moon. 72. |
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Waterman, Ellen. The Manlicher Carcano Radio Hour - Making No Noise. 84. |
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Waterman, Ellen. Lori Freedman, Composer and Musician. 94. |
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Weaver, Carol Ann; Miller, Judith. Timbrel in Her Hand: Woman-Voice. 42. |
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Weaver, Carol Ann. Kenyan Women's Music as a Possible Agent of Social and Cultural Change. 61. |
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Werren, Phil. untitled article. 8. |
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Westerkamp, Hildegard; Schafer, R. Murray. Wilderness Lake: conversation with R. Murray Schafer. 15. |
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Westerkamp, Hildegard. Composing with Environmental Sound. 26. |
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Westerkamp, Hildegard. New Year's Eve, Vancouver. 29. |
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Westerkamp, Hildegard. Acoustic Ecology and the Zone of Silence. 31. |
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Westerkamp, Hildegard. A Child's Ritual. 35. |
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Westerkamp, Hildegard; Ruebsaat, Norbert. A Little Symposium on the Symposium. 45. |
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Wherry, Don; Zagorski, Mike; Rickert, Martin. Fusion: Making Music in Newfoundland. 24. |
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Whitehead, Gregory. Degenerates in Dreamland. 53. |
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Wild Archie. Wild Archie Plays the Bones. 24. |
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Willem-Raes, Godfried, Monahan, Gordon, Timar, Andrew. Pheumafoons, Dudafoons, Manipilafoons: an interview with Moniek Darge and Godfried Willem-Raes. 30. |
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Williams, Davey. Basic Object Guitar; The Imminent Celestial Vicinities. 34. |
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Williams, Davey. The Antimatter of Musical Continuity. 34. |
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Wilson, Tim. À l'écoute de l'univers: Alfred Tomatis. 35. |
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Wilson, Tim. Harmonic Meeting: a workshop with David Hykes. 35. |
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Wilson, Tim. Byzantine Bells. 37. |
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Wind, Chris. Serious and Non-serious. 57. |
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Wishart, Trevor. Words as Music. 50. |
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Wong, Betty and Shirley; Louie, Alexina; George, Ron; Gamper, David; Barnett, Bonnie. 30 Years of Listening—Recollections of Sonic Meditations with Pauline Oliveros. 78. |
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Wraggett, Wes R. D. System Symbology—an approach to electronic music transcription. 8. |
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Wraggett, Wes. Towards an Integrated Aesthetic for Electronic Music. 10. |
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Yael, bh. Images of Voice. 42. |
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Young, Gayle. The Design and Construction of Columbine, a Percussion Instrument of Forty Steel Bells. 2. |
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Young, Gayle, Reitzenstein, Reinhard. Collaboration: Three Installation Works with Sound. 13. |
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Young, Gayle. Hugh Le Caine: Pioneer of Electronic Music, Part 1. 14. |
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Young, Gayle. Hugh Le Caine: Pioneer of Electronic Music, Part 2. 17. |
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Young, Gayle. The How and Why of Instrument Design. 21. |
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Young, Gayle. Musical Instruments and Influences (interview with Tina Pearson). 31. |
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Young, Gayle. Twenty-four Strings: the design on an instrument with adaptable tunings. 37. |
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Young, Gayle. Is This Good for Canada?—reflections by Murray Adaskin. 43. |
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Young, Gayle. Time and Film: the films of Barbara Sternberg. 45. |
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Young, Gayle. Playing the Aural and the Visual: Sound Installations at St John's Art Gallery, 1990. 49. |
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Young, Gayle. The Trick is in the Imagining: The Robert Minden Ensemble. 50. |
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Young, Gayle. Bridges to the Future: The Collections of the Music Division of the National Library of Canada. 51. |
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Young, Gayle. In the Voice of the Artist: Vivian Perlis of the Yale Oral History Project. 51. |
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Young, Gayle, Adams, John Luther. Sonic Geography of the Arctic. 70. |
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Young, Gayle. Multiples of Two and Five: Some Anniversaries. 71. |
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Young, Gayle. Between Seeing and Hearing: Sensing Electromagnetic Radiation in Helen Hall's film Powerlines. 74. |
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Young, Gayle. Invisible Boundaries—James Tenney's Cultural and Compositional Diversity. 77. |
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Young, Gayle; McCalum, David; Rokeby, David. David Rokeby’s Vision of Hearing, Artistic Explorations of Sight, Sound and Silence. 87. |
|
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Young, Gayle, Sherlock, John Mark. Christian Wolff: Unsettling the Score. 91. |
|
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Z, Pamela; Kennedy, Kathy. A Few Facets of Pamela Z. (interview by Kathy Kennedy). 76. |
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Zagorski, Mike. Vibrato and Tremolo: a Case for Communication Among Scientists and Musicians. 26. |
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Zagorski, Mike. Stochastikhos: Electroacoustic Sculptures with Limited Intelligence. 28. |
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Zagorski, Mike. Sonic Weaponry: Jets and the Innu. 55. |
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Zaparinuk, Peter. David Tudor's Performance Composition. 71. |
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Zapf, Donna. Acoustic Metals: Robert Minden. 15. |
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Zapf, Donna. Inside the Soundscape, the compositions of Hildegard Westerkamp. 15. |
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Zapf, Donna. Sten Hanson's MetaMusic. 15. |
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Zapf, Donna. The World Soundscape Project Revisited. 15. |
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Zapf, Donna; Bartlett, Martin; Schryer, Claude; Butterfield, Christopher. Music from the Black Box—Martin Bartlett in Conversation. 69. |
