 |
Adams,
John Luther. Commentary: Global Warming and Art. 86. |
|
|
Authors
as a group. Commentary: Where are the Woman Composition
Students? 80. |
|
|
Barwin,
Gary. Ideas in the Music of Louis Andriessen: NOT Frumpy, Wispy,
Artificial, Finicky, OR Aesthetic. 60. |
|
|
Beckwith,
John. New Music and the Public: Where the late Serge Garant
Might Stand in Quebec's Recent Ruptures Debate. 68. |
|
|
Bittova,
Iva. Rites of Violin in the Witches' Quarry: an interview with
by Petr Doruzka. 56. |
|
|
Bowman,
Rob. The Rattling of the Drums: Political Expression in World
Music. 49. |
|
|
Bowman,
Rob. Transculturation: Hi-Tech Ethnic Pop. 40. |
|
|
Brady,
Tim. Commentary: Why Canadian Music Does Not Exist—and Why I
love It. 77. |
|
|
Brady,
Tim. Death of the Masterpiece: the Changing Social Context for
Creative Music. 61. |
|
|
Brady,
Tim. James Bond, Tan Dun, and the Canadian Future of Music. 71. |
|
|
Brady,
Tim. So You Want to be a New Music Composer / Then Listen Now to
What I Say... 51. |
|
|
Brakhage,
Stan. Time...on dit: Time and film. 45. |
|
|
Brakhage,
Stan. Time...on dit: Bruce Elder's Book of all the Dead. 53. |
|
|
Brakhage,
Stan. Time...on dit: Empathy and Aesthetics in the Writing of
Gertrude Stein. 54. |
|
|
Brakhage,
Stan. Time...on dit: Fœtal Perception. 55. |
|
|
Brakhage,
Stan. Time...on dit: Geometric versus Meat-ineffable. 59. |
|
|
Brakhage,
Stan. Time...on dit: The Fall of the Leaves. 60. |
|
|
Brakhage,
Stan. Time...on dit: On Romanticism. 61. |
|
|
Brakhage,
Stan. Time...on dit: Romanticism Part 2. 62. |
|
|
Brakhage,
Stan. Time...on dit: Having Declared a Belief in God. 63. |
|
|
Brakhage,
Stan. Time...on dit: In Consideration of Aesthetics. 64. |
|
|
Brakhage,
Stan. Time...on dit: An exercise in Ineffability. 67. |
|
|
Brakhage,
Stan. Time...on dit: The Nature of Image. 73. |
|
|
Butterfield, Christopher. Lecture. 23. |
|
|
Chadabe,
Joel. Commentary: Where We're Going, Making our Music Known to a
Larger Public. 85. |
|
|
Clarkson,
Austin. Uncursing the Silence: An Exploration of Sonic
Imagination. 57. |
|
|
Clarkson,
Austin. The Sounds of Dry Paint. 63. |
|
|
Copeland,
Darren. Cruising for a Fixing in this Art of Fixed Sounds. 61. |
|
|
Crossman,
Rae. Commentary: A Call to Arms, Poems, Painting and Songs. 82. |
|
|
Culver,
Andrew. Notes on Anarchy and Economy, Part 1. 62. |
|
|
Culver,
Andrew. Notes on Anarchy and Economy, Part 2. 64. |
|
|
Culver,
Andrew. Notes on Anarchy and Economy, Part 3. 68. |
|
|
Cutler,
Chris. Plunderphonia & VOX: John Oswald. 60. |
|
|
Danielson, Janet. Commentary: Five Sixths of Women Will Stop in
the Doll Stage. 81. |
|
|
Denis,
Jean-François. Phonothèque québecoise. 51. |
|
|
Derome,
Jean. Matter / Manner : Matière / Manière. 49. |
|
|
Druick,
Don. A Genealogy of Vancouver Music, 1965–1978. 1. |
|
|
Duke,
David Gordon. Notes Towards a Portrait of Barbara Pentland:
Issues of Gender, Class, and Colonialism in Canadian Music. 70. |
|
|
Dutton,
Paul. Commentary: Widgets Über Alles: Bizspeak and the Arts. 92. |
|
|
Fenner,
Victoria. Commentary: Yoga for the Ears—Why Radio Producers Need
to Soundwalk. 87. |
|
|
Gebhardt,
Nicholas. A Thread of Musical Thinking: Glenn Gould, J. S. Bach,
François Girard and an Art of Sounds. 67. |
|
|
Gebhardt,
Nicholas. Minimal Concerns, from Australia. 74. |
|
|
Gelinas,
Robert. De La Grande Depression à la Grande Déprime. 18. |
|
|
Gelinas,
Robert. Does Bilingual Mean Double-Tongued? 18. |
|
|
Gervais,
Raymond. Sonorities. 18. |
|
|
Gleasman
Pisaro, Kathryn. The Scratch Orchestra—Several Unauthentic Views
(interviews by Kathryn Gleasman Pisaro). 80. |
|
|
Goldstein, Malcolm. Improvisation: Towards a Whole Musician in a
Fragmented Society; The Gesture of Improvisation; Being in the
Sound. 78. |
|
|
Hall,
Helen; Lidov, David. The Resonant Intervals Conference. 54. |
|
|
Ivakhiv,
Adrian. (De)composing in the Postmodern Soundscape. 64. |
|
|
Johnson,
Scott. Against Purity. 75. |
|
|
Johnson,
Tom. Explaining My Music: Keywords. 74. |
|
|
Kasemets,
Udo. A Proposal for a Study of the Genealogy of
Twentieth-Century Canadian Music. 51. |
|
|
Kasemets,
Udo. NowNotes: (Re)Reading John Cage. 75. |
|
|
Kasemets,
Udo. NowNotes: 0'0 by John Cage—Reflections on Music of the
Moment. 76. |
|
|
Kasemets,
Udo. NowNotes: Word Mind Webs. 77. |
|
|
Kasemets,
Udo. NowNotes: I Hear, Therefore I am. 78. |
|
|
Kasemets,
Udo. NowNotes: MusicOLOGY or MUSICology? 79. |
|
|
Kasemets,
Udo. NowNotes: Ruthful Ruth. 80. |
|
|
Kasemets,
Udo. NowNotes: Time of Music of Time. 81. |
|
|
Kasemets,
Udo. NowNotes: What Now? 82. |
|
|
Kasemets,
Udo. NowNotes: Jackson Mac Low (80) & John Cage (90). 83. |
|
|
Kasemets,
Udo. NowNotes: Future is Past is Now. 84. |
|
|
Kasemets,
Udo. NowNotes: corrections, verbs, questions. 85. |
|
|
Kasemets,
Udo. NowNotes: Questions????. 86. |
|
|
Kasemets,
Udo. NowNotes: Musiquestions. 87. |
|
|
Kasemets,
Udo. NowNotes: Project Symphosium, to know or not to know. 88. |
|
|
Kasemets,
Udo. NowNotes: Project Symphosium, end of an era. 89. |
|
|
Kasemets,
Udo. NowNotes: Project Symphosium, Against Ignorance. 90. |
|
|
Kasemets,
Udo. NowNotes: Project Symphosium, Art and Politics, part 1. 91. |
|
|
Kasemets,
Udo. NowNotes: Project Symphosium, Art and Polkitics, part 2.
92. |
|
|
Kasemets,
Udo. NowNotes: Project Symphosium, Listen. 93. |
|
|
Kasemets,
Udo. NowNotes: Time To Speak Up. 94. |
|
|
Lederman,
Anne. More Than Music: Reflections on the Children's Music
Business. 63. |
|
|
Lederman,
Anne. Mr. Flash and Miss Click: Ethnomusicology in the Global
Village. 68. |
|
|
Lederman,
Anne. The Folk Artists of Shaanxi (China). 47. |
|
|
Loubet,
Emmanuelle. The Ondo Singers of Kawachi, Japan. 93. |
|
|
macCormac,
sylvi. Conversations with Nature: Hildegard Westerkamp's
Soundscape Composition Talking Rain. 74. |
|
|
Monahan,
Gordon. Kinetic Sound Environments as a Mutation of the Audio
System. 63. |
|
|
Oliveros,
Pauline. Quantum Improvisation: The Cybernetic Presence. 75. |
|
|
Oliveros,
Pauline. Quantum Listening—from Practice to Theory (to Practise
Practice). 76. |
|
|
Oswald,
John. Mendelson Joe Speaks—to John Oswald. 14. |
|
|
Pasquier,
Philippe; Thérien, Marie-France. The CD-Audio-MP3 Format Should
be Revolutionizing Music Distribution – Why Isn’t it? 93. |
|
|
Pratt,
Lauren. On the Side of Culture—Reflecting on the Cultural
Climate for New Music. 77. |
|
|
Racca,
Fabin. Carbonoproyecto; Listening in Argentina. 89. |
|
|
Rayer,
Robert. Non-Music. 18. |
|
|
Rea,
John. Musicians of Note(s). 18. |
|
|
Rothenberg, David. Get Me Those Toys! Making Sense of Media Art.
66. |
|
|
Schafer,
R. Murray. For Composers to Become Acoustic Designers; Music in
the Cold. 26. |
|
|
Schafer,
R. Murray. Ten Centuries Concerts: a Recollection. 9. |
|
|
Schryer,
Claude. Freedom Waves From Africa: The 6th World Community Radio
Conference, AMARC (with Evelyne Foy). 62. |
|
|
Sharman,
Rodney. A Sermon, A Narrative, and A Prayer. 58. |
|
|
Shepherd,
Stuart. A Note from Stuart Shepherd. 23. |
|
|
Shepherd,
Stuart. Some Reflections on the Political Economy of Concert
Music in North America. 43. |
|
|
Sheridan,
Ted. Notes on an Aural History of Architecture; Sound Design for
Loisaida, Manhattan (2 articles). 67. |
|
|
Sherlock,
John. Creating Space for Love: Reflections on Music and
Spirituality, the music of Maria de Alvear. 68. |
|
|
Smith,
Linda C. Composing Identity: What is a Woman Composer? 80. |
|
|
Snow,
Michael. The Last LP, Michael Snow in conversation with Gayle
Young. 39. |
|
|
Szemzö,
Tibor; Doruzka, Petr. Messenger from the Gray Zone, an interview
with Tibor Szemzö, by Petr Doruzka. 60. |
|
|
Tenney,
James. Gayle Young interviews James Tenney. 4. |
|
|
Tenney,
James. John Cage and the Theory of Harmony; A Tradition of
Experimentation: James Tenney in Conversation with Udo Kasemets
and Tina Pearson. 27. |
|
|
Tenney,
James; Young, Gayle. Transparent to the Sounds of the
Environment, James Tenney in Conversation. 64. |
|
|
Timar,
Andrew. A Genealogy of New Music Groups in Toronto—1912-1978. 6. |
|
|
Timar,
Andrew. Ten Years in Ten Thoughts. 40. |
|
|
van Peer,
René. Holland Blunts the Cutting Edge: The Closing of Het
Apollohuis. 69. |
|
|
Varela,
Daniel. Satie's Vexations in Buenos Aires—a Vehicle of Social
Protest. 83. |
|
|
Young,
Gayle. Between Seeing and Hearing: Sensing Electromagnetic
Radiation in Helen Hall's film Powerlines. 74. |
|
|
Young,
Gayle. In the Voice of the Artist: Vivian Perlis of the Yale
Oral History Project. 51. |
|
|
Young,
Gayle. Is This Good for Canada?—reflections by Murray Adaskin.
43. |
|
|
Young,
Gayle. Multiples of Two and Five: Some Anniversaries. 71. |
|
|
Zapf,
Donna. The World Soundscape Project Revisited. 15. |
