ELECTRONICS / ELECTROACOUSTICS
 
bullet Adams, John D. S. David Tudor: Spirit Beyond a Life; Giant Oscillations—The Birth of Toneburst (2 articles). 69.
bullet Barker-Mill, Adam. David Tudor's Sound Table. 73.
bullet Bartlett, Martin. Electro-Acoustic Methods. 28.
bullet Bartlett, Martin; Timar, Andrew. Interview with Martin Bartlett. 7.
bullet Bartlett, Martin; Conversation with Chris Butterfield, Claude Schryer, Donna Zapf. 69.
bullet Bartley, Wende. Hybrids of Time, Timbre and Traditions: Outline of a Compositional Process. 39.
bullet Bartley, Wende. Rising Tides of Generations Lost. 31.
bullet Behrman, David. Private Person, Public Figure—David Tudor in the '60s and '70s. 71.
bullet Belkin, Alan. MIDI Chamber Music. 43.
bullet Blackburn, Philip; Belgum, Eric; Burt, Warren. Resonances: The influence of composer Kenneth Gaburo. 75.
bullet Burt, Warren. Interview with Warren Burt, by Ellen Band. 48.
bullet Copeland, Darren. Cruising for a Fixing in this Art of Fixed Sounds. 61.
bullet Copeland, Darren. In Tune with Creation, the musical practice of Wende Bartley. 90.
bullet Cronkite, David. Mediating Gesture, an interactive approach to computer-assisted music. 78.
bullet Cross, Lowell. Remembering David Tudor. 79.
bullet De Bièvre, Guy. The Improvisation Moderator of Nicholas Collins. 49.
bullet Dhomont, Francis. Frères électroacousticiens qui après nous vivrez (peut-être). 55.
bullet Dhomont, Francis. To Our Fellow Electroacousticians to Come (maybe). 55.
bullet Dubreuil, Bernard. Les Harmoniques lumineuses de Jacques Dudon. 55.
bullet Fenner, Victoria. Chantal Dumas: A Passion for Listening. 91.
bullet Friz, Anna. Steve Heimbecker: At Work and Play in the Soundpool. 94.
bullet Frykberg, Susan. Woman and House: an interview with Susan Frykberg by Debbie Boyko. 48.
bullet Gauthier, Philippe-Aubert; Berry, Alain; Woszczyk, Wieslaw. Creative Sound Projection with Compact Loudspeaker Arrays. 93.
bullet Gasior, Lisa; McCartney, Andra. Commentary: In and Out of the Studio, Women in Electroacoustics. 90.
bullet Gluck, Robert J. Electro-acoustic Music as an International Phenomenon. 94.
bullet Grabócz, Márta. Narrativité et musique électroacoustique. 51.
bullet Gray, D'Arcy Philip. David Tudor: The Art of the Impossible. 69.
bullet Hayman, R.I.P. On The Way: the near-death experience. 56.
bullet Howard, Chris. Electronic Music Studios in Montréal. 18.
bullet Hunt, Jerry. Stompin' and Beatin' and Screamin', an interview with Jerry Hunt, by Gordon Monahan. 39.
bullet lanza, alcides; Lewin-Richter, Andres. Intersecting Planes, a Reminiscence of Edgard Varese, Part 1. 81.
bullet lanza, alcides, Lewin-Richter, Andres. Intersecting Planes, a Reminiscence of Vladimir Ussachevsky, Part 2. 82.
bullet lanza, alcides; Lewin-Richter, Andres. On Hugh Le Caine, Electronic Music Pioneers, part 3. 83.
bullet Le Caine, Hugh. When Sound Has a Form of its Own. 43.
bullet Leduc, Daniel. Des miniatures stratifiées. 67.
bullet Longton, Michael. Composition After Technology: the Real Time Digital Music System at University of Victoria. 15.
bullet Lowenstein, Oliver. Return to the Body: Techno-motion Musician Rolf Gehlhaar's Sound=Space. 76.
bullet McFarlane, Matthew. Learning to Listen, the Rich Aural Art of Francis Dhomont. 88.
bullet Monahan, Gordon. The Amplified Touring Sound Installation: New and Used Furnitute Music; When it Rains. 85.
bullet Mountain, Rosemary. Creating and Contributng, the Expansive Spirit of Marcelle Deschênnes. 86.
bullet Oliveros, Pauline. Quantum Listening—from Practice to Theory (to Practise Practice). 76.
bullet Oswald, John. Recipes for Plunderphonics: an interview with John Oswald, Part 1, by Norman Igma. 47.
bullet Oswald, John. Taking Sampling 50 Times Beyond the Accepted: an interview with John Oswald, Part 2, by Norman Igma. 48.
bullet Pasquier, Philippe; Thérien, Marie-France. The CD-Audio-MP3 Format Should be Revolutionizing Music Distribution – Why Isn’t it? 93.
bullet Peebles, Sara. Exploring the Origins, Delving into the Present: Ushio Torikai. 49.
bullet Peebles, Sarah. High-tech versus My-tech: Developing Systems for Electroacoustic Improvisation and Composition. 66.
bullet Piché, Jean. Thoughts, Contentions, and Composition: Electronic Music 1981. 15.
bullet Raine-Reusch, Randy. Barry Truax: Stretching Time, Stretching Sound. 79.
bullet Raine-Reusch, Randy. Integrating Extremes: the Music of Richard Teitelbaum. 85.
bullet Ritter, Don. Interactive Video as a Way of Life. 56.
bullet Robert, Jocelyn. Le Very Nervous System de David Rokeby. 56.
bullet Rogalsky, Matt. David Tudor's Virtual Focus. 73.
bullet Rogalsky, Matt. Martin Bartlett: Xenomelophiliac. 69.
bullet Rosenboom, David, Teitelbaum, Richard. David Rosenboom and Richard Teitelbaum in conversation. 21.
bullet Rosenboom, David. On Being Invisible. 28.
bullet Scheidt, Dan. Computer Music. 28.
bullet Schell, Michael. Unlikely Persona: Jerry Hunt (1943–1993). 65.
bullet Schneemann, Carolee. Integrating Sculpture, Space and Sound. 56.
bullet Schryer, Claude. Anecdotal Electroacoustics. 39.
bullet Schryer, Claude. Searching for the Sharawadji Effect: Electroacoustics and Ecology. 70.
bullet Snow, Michael. The Last LP, Michael Snow in conversation with Gayle Young. 39.
bullet Southam, Ann; Kalvos & Damian. If Only I Could Sing: Ann Southam in Conversation. 71.
bullet Twomey, Chris. Microsound, a New Electronic Music Aesthetic. 82.
bullet Wraggett, Wes R. D. System Symbology—an approach to electronic music transcription. 8.
bullet Young, Gayle. Hugh Le Caine: Pioneer of Electronic Music, Part 1. 14.
bullet Young, Gayle. Hugh Le Caine: Pioneer of Electronic Music, Part 2. 17.
bullet Z, Pamela; Kennedy, Kathy. A Few Facets of Pamela Z. – an interview. 76.