INSTRUMENT DESIGN AND CONSTRUCTION

bullet Adams, John D. S. David Tudor: Spirit Beyond a Life; Giant Oscillations—The Birth of Toneburst (2 articles). 69.
bullet Armin, Dick. The New Violin, an Interview by Linda C. Smith. 28.
bullet Bakker, Peter. Txalaparta—Traditional Basque Percussion Instrument. 41.
bullet Bartlett, Martin. Electro-Acoustic Methods. 28.
bullet Bartlett, Martin; Timar, Andrew. Interview with Martin Bartlett, by Andrew Timar. 7.
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Bartlett, Martin. Music from the Black Box—Martin Bartlett in Conversation with Chris Butterfield, Claude Schryer, Donna Zapf. 69.
bullet Cadesky, V. Eric. Cooking With Glass. 21.
bullet De Bièvre, Guy. The Improvisation Moderator of Nicholas Collins. 49..
bullet Dobinson, Michael. Fragile Sounds for Transitory Instruments: The Glass Orchestra. 65.
bullet Dubreuil, Bernard. Les Harmoniques lumineuses de Jacques Dudon. 55.
bullet Dunaway, Judy. My Beautiful Balloon, Part I, a history of the Balloon as a Sound Producer in Experimental Music. 81.
bullet Dunaway, Judy. My Beautiful Balloon, Part 2—Orchestration and Playing Techniques. 82.
bullet Fullman, Ellen. The Long String Instrument: an interview with Ellen Fullman, by Gordon Monahan. 37.
bullet Fullman, Ellen. The Long String Instrument. 85.
bullet Geuer, Juan. The Truthseeker Company (The ? is Our Cornerstone). 21.
bullet Goode, Daniel. Turn Down the Illusion: David Demnitz in conversation. 68
bullet Gray, D'Arcy Philip. David Tudor: The Art of the Impossible. 69.
bullet Johnson, Tom. Old Times and New: Minimalist Tom Johnson Talks with Conceptualist Jim Burton. 89.
bullet Kelly, Fergus. Sound installations, an Interview by sean o'huigin. 67.
bullet Laramée, Guy. Tuyo: The Impression of Consonance and of the Strange, an interview with Guy Laramée by André Paradis. 40.
bullet Lewis, Tilman. Testing the Limits of the Possible, a portrait of John Gzowski. 89.
bullet Mason, Roger Burford. Wood, Metal and Mechanical Connections: Gabriel Kney, pipe organ builder. 47.
bullet Monahan, Gordon. The Amplified Touring Sound Installation: New and Used Furniture Music; When it Rains. 85.
bullet Montgomery, James. Affinity Groups. 43.
bullet Nunn, Tom. Original Musical Instruments for Real Time Composition. 37.
bullet Pearson, Tina. Making a Cree Drum with Albert Davis. 37.
bullet Peebles, Sarah. High-tech versus My-tech: Developing Systems for Electroacoustic Improvisation and Composition. 66.
bullet Rawcliffe, Susan. Jolted Awake: New Sounds from Ancient Instruments. 55.
bullet Ready, Patrick. Jets of Water and Sound. 23.
bullet Revoczi,Tamás. Acoustic/Artistic Exploration/Experimentation. 65.
bullet Rogalsky, Matt. David Tudor's Virtual Focus. 73.
bullet Rogalsky, Matt. Martin Bartlett: Xenomelophiliac. 69.
bullet Salvatore, Gianfranco. Can Archetypes be Heard? 49.
bullet Schell, Michael. Unlikely Persona: Jerry Hunt (1943 - 1993). 65.
bullet Stewart, Jesse. The Other Rock Music—Constructing the Multi-Intonational Lithophone. 76.
bullet Twomey, Chris. The Mutantrumpet of Ben Neill: Where the Scientific & the Mystical Meet. 68.
bullet Wilson, Tim. Byzantine Bells. 37.
bullet Young, Gayle. Hugh Le Caine: Pioneer of Electronic Music, Part 1. 14.
bullet Young, Gayle. Hugh Le Caine: Pioneer of Electronic Music, Part 2. 17.
bullet Young, Gayle. Playing the Aural and the Visual: Sound Installations at a St. John's Art Gallery, 1990. 49.
bullet Young, Gayle. The Design and Construction of Columbine, a Percussion Instrument of Forty Steel Bells. 2.
bullet Young, Gayle. The How and Why of Instrument Design. 21.
bullet Young, Gayle. Twenty-four Strings: the design on an instrument with adaptable tunings. 37.