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Authors as a Group. Commentary: Where are the Woman Composition Students? 80. |
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Avram, Ana-Maria; Bernard, Olivier. The Interior Life of Sound, an interview with Ana-Maria Avram. 76. |
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Bartley, Wende; MacCrimmon, Brenna. Born with the Sound in their Throats: the Bulgarian Women's Vocal Choir, with Brenna McCrimmon. 44. |
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Bartley, Wende. Hybrids of Time, Timbre and Traditions: Outline of a Compositional Process. 39. |
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Bartley, Wende. Rising Tides of Generations Lost. 31. |
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Bird, Jennifer. That a Remote Glacier Remain—Discovering the Irrepressible Barbara Pentland. 80. |
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Cameron, Allison. The Arcana Ensemble: An Interview by Gayle Young. 63. |
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Copeland, Darren. In Tune with Creation, the musical practice of Wende Bartley. 90. |
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Corringham, Viv. Vocal Strolls, Voicing the Soundscape. 86. |
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Couture, François. Joane Hétu's Diverse Musical Missions. 92. |
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Danielson, Janet. Commentary: Five Sixths of Women Will Stop in the Doll Stage. 81. |
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Duke, David Gordon. Notes Towards a Portrait of Barbara Pentland: Issues of Gender, Class, and Colonialism in Canadian Music. 70. |
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Dunyo, Fred. Ladies are Mostly Singing and Dancing: African Drummer Fred Dunyo in conversation with Kathy Armstrong. 57. |
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Fenner, Victoria. Chantal Dumas: A Passion for Listening. 91. |
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Fraser, Norah. Women Composers, Spirituality and Healing. 31. |
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Friz, Anna. The Loudspeaker as Instrument: the soundworks of Nancy Tobin. 88. |
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Frykberg, Susan. Machinewoman. 28. |
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Frykberg, Susan. Saxarbra: The Birth; I am I am I am—Machine Woman. 31. |
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Frykberg, Susan. Woman and House: an interview with Susan Frykberg, by Debbie Boyko. 48. |
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Fullman, Ellen. The Long String Instrument. 85. |
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Gasior, Lisa; McCartney, Andra. Commentary: In and Out of the Studio, Women in Electroacoustics. 90. |
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Gasior, Lisa; McCartney, Andra. Diane Leboeuf, Sound Designer: From Mixing Boards to Museums. 90. |
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Gasior, Lisa, Shelley Craig, Re-Recording Mixer Extrordinaire. 93. |
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Given, Dan. The Piano Artistry of Dana Reason. 74. |
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Gleasman Pisaro, Kathryn. Anne LeBaron's Artistic Engagement with a Mississippi Community—Bringing It All Together. 84. |
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Goode, Daniel. Braiding Hot Rolled Steel: The Music of Barbara Benary. 56. |
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Gould, Maria. Ascending to Chaos—Urge and the Radical Ordinary. 78. |
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Gray, D'Arcy Philip. The Music of Veronika Krausas: Time has Died. 83. |
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Hammock, Janet. I Am A Musician. 31. |
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Harley, Maria. Marta Ptaszynska's Music of Percussion, Poetry and Colour. 74. |
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Hodgkinson, Tim. Ana-Maria Avram and Iancu Dumitrescu: In the Land of the Ninth Sky. 71. |
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Hymer. Jennifer. Annea Lockwood—From Burning Pianos to sound-mapping the Danube. 84. |
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Kasemets, Udo. Nownotes: Ruthful Ruth. 80. |
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Kennedy, Kathy. Guerilla Performance ... Radical Radio. 59. |
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Lee, Hope; Brady, Tim. Eastern Traditions in Western Contexts (interview with Hope Lee by Tim Brady). 75. |
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macCormac, sylvi. Conversations with Nature: Hildegard Westerkamp's Soundscape Composition Talking Rain. 74. |
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McCartney, Andra. Soundwalk in the Park with Hildegard Westerkamp. 72. |
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Mountain, Rosemary. Creating and Contributing, the Expansive Spirit of Marcelle Deschênnes. 86. |
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Namtchylak, Sainkho. Tearing Down Borders, Opening the Soul: Tuvan vocalist Sainkho Namtchylak (Interview by R. Raine- Reusch and P. Dutton). 68. |
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Oliver, John. Reinventing Tradition: the past, present and future of Zheng Virtuoso Mei Han. 92. |
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Oliveros, Pauline. Quantum Improvisation: The Cybernetic Presence. 75. |
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Oliveros, Pauline. Quantum Listening—from Practice to Theory (to Practise Practice). 76. |
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Palmer, Juliet Kiri. W is For—Singing a Dictionary from Childhood. 83. |
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Pearson, Tina. Gayle Young: Musical Instruments and Influences. 31. |
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Peebles, Sarah. Exploring the Origins, Delving into the Present: Ushio Torikai. 49. |
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Peebles, Sarah. High-tech versus My-tech: Developing Systems for Electroacoustic Improvisation and Composition. 66. |
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Prévost, Hélène. «Autour» de l'écoute radiophonique. 70. |
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Pui Ming, Lee; Raine-Reusch, Randy. Into the Past, Finding the Future: An Interview. 70. |
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Sawai, Kazue; Raine-Reusch, Randy. From Hope to Reality: An Interview. 66. |
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Schneemann, Carolee. Integrating Sculpture, Space and Sound. 56. |
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Sherlock, John. Creating Space for Love: Reflections on Music and Spirituality, the music of Maria de Alvear. 68. |
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Smith, Linda C. Composing Identity: What is a Woman Composer? 80. |
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Smith, Linda C.; Michaels, Anne; de Alvear, Maria; Egoyan, Eve; Popescu, Doina. Maria de Alvear—the Magic of Asking. 84. |
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Southam, Ann; Kalvos & Damian. If Only I Could Sing: Ann Southam in Conversation. 71. |
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Stubley, Eleanor. Janet Cardiff: Step and Breath, Space and Body Motion in the Experience of Music. 84. |
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Sykes, Claire. Dreaming into the Work—the Interpretive Piano Art of Eve Egoyan. 77. |
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Szlavnics, Chiyoko. City Sites as Performance Settings: Some Accounts and Reflections. 69. |
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Tremblay, Danielle. Quand les femmes se mêlent d'improvisation: Joane Hétu. 54. |
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Vaillancourt, Lorraine; Smith, Linda C. Already à l'aise: an interview. 61. |
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Waterman, Ellen. Lori Freedman, Composer and Musician. 94. |
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Weaver, Carol Ann. Kenyan Women's Music as a Possible Agent of Social and Cultural Change. 61. |
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Young, Gayle. Between Seeing and Hearing: Sensing Electromagnetic Radiation in Helen Hall's film Powerlines. 74. |
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Young, Gayle. Multiples of Two and Five: Some Anniversaries. 71. |
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Z, Pamela; Kennedy, Kathy. A Few Facets of Pamela Z (interview). 76. |
