For many composers, a work in progress comes with strings attached—no pun intended. There are arts councils and concert presenters to satisfy, musicians to liaise with, premiere dates that draw ever closer. Deadlines, of course, can get the juices flowing, and creative constraints (such as writing for a specific ensemble) can certainly focus the mind.Continue reading “Emilie LeBel’s Field Notes”
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The Ever-Evolving Sounds of Thanya Iyer
The music of Thanya Iyer (the name of the musician–composer as well as of her band) is impossible to define—both for her fans and for herself. “I can’t really place the genre of the music that we’re trying to do,” acknowledges Iyer from her home in Montreal. “For us, it’s ever-evolving. We do a lotContinue reading “The Ever-Evolving Sounds of Thanya Iyer”
Rebecca Bruton Lets The World In
Rebecca Bruton describes her work as an “understated, Surrealist folk music”—music that’s experimental but also simple, with a sensuousness and a weirdness to it. “Music that makes sense,” she says, “but you’re not sure why.” A composer, violinist, and vocalist, based in Calgary, Bruton studied music first at York University and then at Simon FraserContinue reading “Rebecca Bruton Lets The World In”
Eighty-five scores celebrate Pauline Oliveros
Still Listening: New Works in Honour of Pauline Oliveros (1932-2016) is a project initially conceived to mark Oliveros’ eighty-fifth birthday on May 30, 2017. Eighty-five artists were invited to create eighty-five new compositions, each with a duration of eighty-five seconds. Organized by trumpeter Eric Lewis and flutist Ellen Waterman, with help from McGill University studentsContinue reading “Eighty-five scores celebrate Pauline Oliveros”
Plumes Deconstructs Grimes
Many Visions: Plumes Deconstructs the Music of Grimes is a genre-spanning music collaboration that seeks to explore and ultimately blur the lines between classical and pop. Thirteen contemporary classical composers have been asked to reimagine and rework the thirteen tracks on Grimes’ 2012 album Visions in, as it were, their own vision. The new works—byContinue reading “Plumes Deconstructs Grimes”
Anna Pidgorna’s Invented Folk Songs
With its balance of bold colour palettes, strong melodic profiles, and unexpected performative elements, composer Anna Pidgorna’s work has been catching eyes and ears of late. Her chamber opera On the Eve of Ivan Kupalo recieved a 2013 SOCAN Foundation Award, and Light-Play through Curtain Holes, a solo accordion piece, represented Canada at the ISCMContinue reading “Anna Pidgorna’s Invented Folk Songs”
Myk Freedman Makes Room for an Ensemble of One
Myk Freedman is best known as the lap-steel-wielding leader of the nonet St. Dirt Elementary School, whose idiosyncratically tuneful music (released on Rat Drifting and on Barnyard Records) is nestled in the crevice between whimsy, sentimentality, and ragtag experimentation. Ostensibly a jazz group, its diverse instrumentation, wonkiness, and the sweetly pithy character of Freedman’s tunesContinue reading “Myk Freedman Makes Room for an Ensemble of One”
Music from the New Wilderness
What can sound tell us about a place? Listen to British Columbia, and it might sound something like Music from the New Wilderness, a multimedia performance work that conjures B.C.’s past and evolving present by incorporating historical and current field recordings into new compositions. One piece relies on the fast-changing sounds of a remote coastalContinue reading “Music from the New Wilderness”
Anna Höstman Tunes In To Her Roots
There’s no place like home. For Anna Höstman, winner of the 2013 Toronto Emerging Composer Award, home is the Bella Coola Valley, a remote wilderness wonderland on British Columbia’s central coast. Its rich cultural history dates back 10,000 years to the Nuxalkmc people (now called Nuxalk—pronounced Nu-halk), who lived in villages along its extensive andContinue reading “Anna Höstman Tunes In To Her Roots”
Gordan Monahan
Gordon Monahan’s voice floats to me across the Internet from his farm, the Funny Farm, his home base in Meaford, Ontario. Monahan was recently awarded a 2013 Governor General’s Award in Visual and Media Arts, and is already planning a series of installations for 2013, the soonest of which will be a piece for HammerContinue reading “Gordan Monahan”
Glenn Buhr
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY Definitions of personal style don’t get any clearer with life experience. This becomes obvious during my interview with Canadian composer and pianist Glenn Buhr. It also becomes clear however, that personal style can be evaded more deliberately with age. With impressive compositional chops at his disposal, Buhr can articulateContinue reading “Glenn Buhr”
Eldad Tsabary
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY Israeli-Canadian composer Eldad Tsabary is omnivorous when it comes to digesting various influences, both musical and otherwise. With strong ties to Montreal’s electroacoustic scene, and as a lecturer in Concordia University’s electroacoustics program, Tsabary’s music takes the broadest definition of electroacoustics to heart. His work is influenced by acousmaticContinue reading “Eldad Tsabary”
Linda Bouchard’s Murderous Little World
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY Couple Linda Bouchard’s vision and sound with poet Anne Carson’s texts, engage the talents of a host of collaborators, including extraordinary musicians Guy Few, Joseph Petric, and Eric Vaillancourt, give it all several years to cook, move, splinter, and coalesce, and you have Bouchard’s multimedia performance piece Murderous LittleContinue reading “Linda Bouchard’s Murderous Little World”
Jeff Morton
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY I imagine that what I hear echoing off the walls of the white-cube gallery is the proceedings of a robot congress, a cacophonous, fevered debate on robot rights—and not a single little robot agrees with any other. I detect strains of barely recognizable melodies, guitar riffs, the squeals ofContinue reading “Jeff Morton”
Nicole Lizée
I asked Nicole Lizée, newly commissioned to compose a work to commemorate the hundredth anniversary of John Cage’s birth, if she has ever before composed with that iconic artist in mind. How could she not? She is, after all, known for her nonstandard use of instruments, prepared turntable, found objects, and dance music—all elements associatedContinue reading “Nicole Lizée”
Rachael Wadham: Installing A Quiet Sound-World
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY The work of Vancouver-based sound artist, improviser, and composer Rachael Wadham often hinges upon a certain pack-rat sensibility, with sounds scavenged from mundane, remote, or even derelict sources, squirrelled away with humble meticulousness. Even her improvisational playing on a falling-apart zither evinces this sense of coarse rigour, as sheContinue reading “Rachael Wadham: Installing A Quiet Sound-World”
Scott Thomson
Among bike bells, olives, and music maps, Scott Thomson lounges in his Montreal apartment, seeming to enjoy a relaxed summer evening. Later, the sight of his trombone—on a stand nearby—will remind him he has a lot of work to do. Scott is working on new piece to take place at the Art Gallery of OntarioContinue reading “Scott Thomson”
Matt Rogalsky
It’s supposed to be beautiful, but I can’t shake the feeling of there being something ominous about this. Imagine you’re approaching an installation by Matt Rogalsky, and down the hall you hear whispers of . . . what? something you recognize—or do you?—only to turn the corner and be greeted by the choir, like Children of theContinue reading “Matt Rogalsky”
Darsha Hewitt
Following the work of Darsha Hewitt is like feeling your way through the inside of an electronic circuit. It is tactile, visceral. Her trial-and-error approach comes from a truly experimental place, and during my conversation with her, I suggest that I have imagined her jotting down observations on a clipboard while wearing a white labContinue reading “Darsha Hewitt”
Debashis Sinha
“La montaña. El cuervo. Cada mota de polvo elevada por mis pasos alberga incontables palabras,” intones the deeply resonant voice, as the rhythmic sound of footsteps fades up and a single gong-stroke repeats slowly. This is Kailash, a radiophonic work by Toronto’s Debashis Sinha, commissioned from him in 2009 by Centro para la Difusión deContinue reading “Debashis Sinha”