YOU DON’T HAVE TO KNOW ANYTHING ABOUT MATHEMATICAL HYPERSURFACES or guitar architecture to enjoy the dense sparkle, relentless energy, and intelligent swarm behaviour of Juan Camilo Vásquez’ Calíope (canto de las abejas) for guitar and electronics—but it definitely enhances the listening experience if you know a little. The Colombian composer’s 2014 work, winner of Musicworks’Continue reading “Juan Camilo Vásquez’ Calíope (canto de las abejas)”
Article Type Archives
Tenzier: History Outside the Margins
“There’s a group of students who used a term I really liked: countermemory,” Tenzier founder Eric Fillion tells me over Skype from Montreal. “I almost like that better than counterculture.” He’s talking about Tenzier, the avant-garde label which has put out five critically acclaimed vinyl releases in as many years, as well as Tenzier theContinue reading “Tenzier: History Outside the Margins”
Sonic City
We presume hush because business has yet to come. People stand, the movement of feet inaudible Over the creeping perception of noise An indistinguishable hum pervading the acoustic Of suitcases’ wheels Clitter-clattering across cobbled stones Some uneven, some gliding with ease — The bounce of speed announcing a sanguine rhythm To the muted silence ofContinue reading “Sonic City”
Ayelet Rose Gottlieb’s Open-Heart Tunings
There’s a faint but persistent ringing coming from the southwest corner of Ayelet Rose Gottlieb’s Vancouver apartment. We discover one of her young twins picking purposefully at the keys of a brightly coloured toy piano. The other twin comes over, attracted by this large stranger’s curiosity, and contributes her own jangling notes. When I startContinue reading “Ayelet Rose Gottlieb’s Open-Heart Tunings”
Di Mainstone Fashions a New Sonic Future
Di Mainstone, inventor of the Human Harp, describes herself as a “bridge botherer.” But to be accurate, her bridge-bothering activities are fairly recent. Before bridges (the Human Harp has, to date, played bridges in Brooklyn, Omaha, and Bristol) came mood-sensitive kinetic outfits and prosthetic sound devices. In Mainstone’s tiny studio, perched atop a disused VictorianContinue reading “Di Mainstone Fashions a New Sonic Future”
Anna Pidgorna’s Invented Folk Songs
With its balance of bold colour palettes, strong melodic profiles, and unexpected performative elements, composer Anna Pidgorna’s work has been catching eyes and ears of late. Her chamber opera On the Eve of Ivan Kupalo recieved a 2013 SOCAN Foundation Award, and Light-Play through Curtain Holes, a solo accordion piece, represented Canada at the ISCMContinue reading “Anna Pidgorna’s Invented Folk Songs”
The Friendly Exchanges of Germaine Liu
When percussionist Germaine Liu performs, there’s more to her approach than simply striking a snare drum with a wooden stick. Liu seeks a deeper intimacy with her instruments, exploring all the sounds they might produce by closely examining each part. This is the key to the Toronto composer’s music, and an approach she developed whileContinue reading “The Friendly Exchanges of Germaine Liu”
Christine Sun Kim Explores the Politics of Sound
“Low frequencies just being abstract and shit — High frequencies be like anal and micromanaging for no good reason — Silence oblivious as ever” These words are handwritten in a drawing that was included in an exhibition of new works by Christine Sun Kim in the summer of 2015 at White Space Beijing, a contemporary artContinue reading “Christine Sun Kim Explores the Politics of Sound”
The Unsung Songbooks of Dave Burrell
TO SAY THAT PIANIST, COMPOSER, AND—AT THIS POINT—JAZZ ELDER DAVE BURRELL WAS NOT made for these times is a bit of a shortsighted claim. Burrell is a jazz classicist preceded by a reputation for free improvisation. He was present for the fabled Parisian Summer of 1969, when he and other players of free jazz found aContinue reading “The Unsung Songbooks of Dave Burrell”
The Avian is the Message
Songbirds have a secret language. This is something I did not fully appreciate until recently, when I became immersed in their world. What may be music to our ears is bird-speak—a mating call, an aural fence, or simple prattle to stay in touch. There are people who can understand bird speak, who can instantly discernContinue reading “The Avian is the Message”
Andrew Staniland accelerates toward the next idea
IN 2013, NASA CONFIRMED THAT the Voyager 1 probe had become the first manmade object to cross the heliopause, leaving the bounds of our solar system and entering interstellar space. In addition to its scientific instruments, Voyager 1 was famously carrying a Golden Record entitled The Sounds of Earth. Put together by a committee led by notedContinue reading “Andrew Staniland accelerates toward the next idea”
Myk Freedman Makes Room for an Ensemble of One
Myk Freedman is best known as the lap-steel-wielding leader of the nonet St. Dirt Elementary School, whose idiosyncratically tuneful music (released on Rat Drifting and on Barnyard Records) is nestled in the crevice between whimsy, sentimentality, and ragtag experimentation. Ostensibly a jazz group, its diverse instrumentation, wonkiness, and the sweetly pithy character of Freedman’s tunesContinue reading “Myk Freedman Makes Room for an Ensemble of One”
Simon Cacheux’s InnerSelf
Simon Cacheux works as a musician, sound designer, and sound artist. He is interested in the texture of sounds, how they blend with each other, and in the microfictions that occur within the sounds themselves. His work leans towards minimalism—in particular drones, ambient, and noise music. His deep interest in technology has lead him exploreContinue reading “Simon Cacheux’s InnerSelf”
Los Arroyos in Stereo
A springtime hike through the hills of the Sierra Nevada, Andalucía, Spain. I follow my guide, Neftali, scrabbling up switchbacks, sweat from the raw sun cooling in the alpine breeze swishing my neck. The hike has been filled with talk. Neftali pointing out species, warning of sliding scree. He tells me the legends of theContinue reading “Los Arroyos in Stereo”
Meet Our 2014 Contest Winners
TORONTO, CANADA Montreal composer and sound artist James O’Callaghan’s Bodies-Soundings has won first place in Musicworks’ 2014 Electronic Music Composition contest. “I’m very grateful for Bodies-Soundings to have this recognition!,” O’Callaghan says. “Composition is usually a very insular, introspective process for me, and so once a work is released into the wild it’s a pleasure to seeContinue reading “Meet Our 2014 Contest Winners”
Shannon McKee’s “The Copy Room”
As I step into the undersized side room of the middle-school office, I want to remove my high heels. I want to kneel on the thin, brown carpet and touch my forehead to the ugly floor. I want to offer up a soft song. Because when I—a teacher’s assistant for twenty-five twelve-year-olds—cross the threshold ofContinue reading “Shannon McKee’s “The Copy Room””
The Passion and Curiosity of Barbara Hannigan
“An absolute stroke of luck for opera” is just one of the countless accolades Canadian-born, Amsterdam-based soprano Barbara Hannigan has received for her performances of both classical and contemporary music. Composers and musicians she has worked with are unanimous in their praise. She has premiered a large number of major works, among them operas withContinue reading “The Passion and Curiosity of Barbara Hannigan”
James O’Callaghan’s Bodies-Soundings
James O’Callaghan’s Bodies-Soundings, winner of Musicworks’ 2014 Electronic Music Composition contest, is a highly suspenseful acousmatic piece in which sounds are partially diffused through tactile transducers (specialized speakers that transmit sound through any object to which they’re attached) that are attached to an acoustic guitar and a toy piano. The two instruments are not playedContinue reading “James O’Callaghan’s Bodies-Soundings”
Divorce Records
“It depends on what you call the beginning, I guess,” says Darcy Spidle when probed about the origins of his experimental music label, Divorce Records. “The first thing I did with the label— about fifteen years ago—was to make big posters that said ‘Music Sucks,’ and then put the Divorce logo underneath. I pasted themContinue reading “Divorce Records”
Composer Wolf Edwards loads the chamber
Wolf Edwards’ various stories are so interesting and so curiously entwined that it’s hard to know where to start. Working in the fish-packing plants of Ucluelet, B.C., the ugly-duckling sibling of Tofino’s trendy swan? Playing guitar on the stage of some black-hole dive with anarcho-punk band Iskra? Swapping musical knowledge with British violinist Irvine Arditti,Continue reading “Composer Wolf Edwards loads the chamber”
Field Notes From Fort McMurray
in the damp morning air: rain pitter-patters on whispering leaves. inherited onomatopoeic vocabulary; true but tried tropes carrying with them vague echoes of that singular safety known to the time when board books taught us to affix words to sounds, predictably, repeatably. a wind sighs, branches rustle. the sounds of a forest reclaimed, tenuous rootsContinue reading “Field Notes From Fort McMurray”
Lido Pimienta curates a sonic community
Colombia-born, Toronto-based Lido Pimienta has been called “the consummate collaborator”—and with good reason. Although she writes, sings, produces, and plays many instruments—and is certainly talented and strong-willed enough to make recordings on her own—Pimienta’s aesthetic absolutely requires the participation of others. “I would die!” she says of the notion of creating music on her own.Continue reading “Lido Pimienta curates a sonic community”
Isaiah Ceccarelli
“I know it may sound crazy, but I am interested in making beautiful music—music that sounds good. I’m not saying this just to be different, and it might not be in line with a lot of the reasons that people make music today, but I am actually not very involved with, or worrying so muchContinue reading “Isaiah Ceccarelli”
Caduc
The word caduc translates from French as both obsolete and deciduous. Appropriately, the roster of Mathieu Ruhlmann’s humble Vancouver imprint, Caduc, plays right at the intersection of the organic world and senescent technology. Since late 2011, Caduc has built a catalogue of improvised and intuitively constructed music whose sonic fibre is audible, and often quite delicate.Continue reading “Caduc”