The imagination of electronic composer John Mills-Cockell exists in a liminal space. His music, with its neon-pastoral glow, feels neither jarringly futuristic nor soothingly nostalgic. Nevertheless, as the very first Canadian owner of a Moog synthesizer (purchased the same day Wendy Carlos bought hers from creator Robert Moog in Trumansburg, New York), Mills-Cockell is rightlyContinue reading “The Astral Excursions of John Mills-Cockell”
