Nadine Byrne Monochrome images of two young women—evidently sisters—stare out impassively from oval apertures that resemble Victorian cameo brooches. A gauzy ectoplasmic fabric oozes from their mouths while, in an aperture between them, their faces merge in a dreamlike blur to evoke the face of their late mother. The soundtrack to this absorbing five-minute plungeContinue reading “The Swedish Sound-Art Scene”
