There’s a strange duality about the music of Strasbourg-based Canadian composer Samuel Andreyev. His official bio states that his compositional process is “marked by a rigorous perfectionism,” which might immediately provoke the lazy cynic to slap it with the ultimate new-music pejorative: academic. His nimble ideas are, without fail, framed in tight, tidy structures andContinue reading “Samuel Andreyev’s Sonic Organisms”
