In 1981 in a small town called Dunedin in New Zealand, a trio of young musicians called The Clean, recorded a handful of fuzzy, sloppy pop songs on a four-track Portastudio. For connoisseurs of what is now known as indie-pop, their infectious energy and heartfelt yearning have stood the test of time. Theirs was musicContinue reading “Braids, Grimes, and Doldrums”
