On a rainy April evening in Toronto, in the darkened hush of historic St. Anne’s Anglican Church, the first frame of the 2013 Images Festival appear—a live black-and-white projection of the deft hands of turntable artist SlowPitch. As the frames progress, you can literally hear and see a needle drop. Then comes a hard tectonicContinue reading “SlowPitch’s “Emoralis””
