Ice cracking and melting; a forest by the coast; a dream; breath lingering in the cold air—these are some of the images that come to mind when listening to Vancouver composer Craig Aalders’ el8dEra 3m, the first-prize-winning composition in Musicworks’ 2016 annual Electronic Music Composition contest. An absorbing, ethereal work of shimmering organic tones andContinue reading “Craig Aalders’ el8dEra 3m”
Author Archives: Musicworks
Tom Wayman’s “Elemental Musics: Selkirk Mountains”
1. ARIA Alpine wind in the stunted firs half whispers an austere wistfulness with overtones of regret at being compelled by a harsh landscape to be mercilessly forthright: a breathy flute-note surging and fading as the mountain exhales inhales 2. SONATA The susurrous crescendo rises amid the crowns of tall birch, cedar, pine,Continue reading “Tom Wayman’s “Elemental Musics: Selkirk Mountains””
Hang Out With Musicworks This Spring
Musicworks is blooming with big ideas! Explore the personalities and collaborative dynamics behind an array of creative Canadian projects in our Spring 2017 print issue – ON CANADIAN NEWSSTANDS NOW. Single copies also available to order from our store. New music meets new circus in Balancing On The Edge, the latest high-wire project from the ambitiousContinue reading “Hang Out With Musicworks This Spring”
All-Set! Editions: Essentially Not Jazz
Dapper Toronto imprint All-Set! Editions may be a newcomer to the subterranean ecosystem of experimental music distribution, but it already has a clearer sense of self than other more established labels. It’s spearheaded by a trio of composer-players, multi-instrumentalist Mike Smith, bassist Pete Johnston and pianist Ali Berkok. Its identity can’t easily be articulated inContinue reading “All-Set! Editions: Essentially Not Jazz”
MUSICWORKS UNVEILS 2016 CONTEST WINNERS
MUSICWORKS UNVEILS 2016 CONTEST WINNERS Vancouver musician Craig Aalders and B.C. poet Tom Wayman win top marks in Musicworks’ 2016 Electronic Music Composition and Sonic Geography Writing Contests For the first time in Musicworks contest history, both top prizes go to British Columbia artists. For immediate release: TORONTO, CANADA, February 14, 2017—Musicworks is thrilled toContinue reading “MUSICWORKS UNVEILS 2016 CONTEST WINNERS”
Plumes Deconstructs Grimes
Many Visions: Plumes Deconstructs the Music of Grimes is a genre-spanning music collaboration that seeks to explore and ultimately blur the lines between classical and pop. Thirteen contemporary classical composers have been asked to reimagine and rework the thirteen tracks on Grimes’ 2012 album Visions in, as it were, their own vision. The new works—byContinue reading “Plumes Deconstructs Grimes”
Between Folklore and the Future: The Music of Heidi Chan
Heidi Chan began combining her passions for arranging, technology, and traditional instruments when her father gave her a demo version of the music software program Cakewalk. “Because it was a demo version, I couldn’t save anything,” she recalls. “So I had to leave the computer on for, like, months and months to keep working onContinue reading “Between Folklore and the Future: The Music of Heidi Chan”
Michael Red’s Low Indigo
Michael Red has been an in-demand DJ and producer since the 1990s, when he was a key instigator of Vancouver’s jungle and drum-and-bass scenes. He presented hugely popular underground events featuring beats you couldn’t hear elsewhere. He became a regular on Western Canada’s electronic-music festival scene, and still spends summers away from his Vancouver homeContinue reading “Michael Red’s Low Indigo”
The Musical Worldview of Nick Dourado
IT’S A DREARY WINTER NIGHT IN TORONTO. It’s already super late—the last of four bands has already played, and the makeshift bar within the makeshift venue has been closed for a good half hour. Although things are winding down, a healthy crowd is hanging out, chatting, and enjoying the warm, dry indoors. Suddenly, there’s aContinue reading “The Musical Worldview of Nick Dourado”
The Sound Future of Virtual Reality
I HEAR A PERCUSSIVE THUD. SOMETHING IS HITTING THE FLOOR IN FRONT OF ME REPEATEDLY. It’s reverberating (I’m in a large room, I guess) and the rhythm is punctuated by frenzied bursts of high-pitched squeaks nearby. In the distance, I hear shuffling and the murmur of voices. I open my eyes. I’m standing in aContinue reading “The Sound Future of Virtual Reality”