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Musicworks’ 2017 Summer Festival Preview

Some of my most cherished experiences happened at summer music festivals—from scanning the schedules and planning the road trips to meeting new friends and, of course, identifying new musicians and artists. Here at Musicworks, we’re discovering more must-see festivals and events every day, and are inspired by the organizations dedicated to bringing artists and listenersContinue reading “Musicworks’ 2017 Summer Festival Preview”

The Astral Excursions of John Mills-Cockell

The imagination of electronic composer John Mills-Cockell exists in a liminal space. His music, with its neon-pastoral glow, feels neither jarringly futuristic nor soothingly nostalgic. Nevertheless, as the very first Canadian owner of a Moog synthesizer (purchased the same day Wendy Carlos bought hers from creator Robert Moog in Trumansburg, New York), Mills-Cockell is rightlyContinue reading “The Astral Excursions of John Mills-Cockell”

Roscoe Mitchell and the Montreal-Toronto Art Orchestra

The year 2017 is being widely celebrated as the centenary of jazz, marked by the hundredth anniversary of the music’s first recordings, the Original Dixieland Jazz Band’s “Livery Stable Blues” and “Dixie Jass Band One Step.” Jazz began as a spontaneous, improvised music of syncopated rhythms and bent notes so creatively assembled that it defiedContinue reading “Roscoe Mitchell and the Montreal-Toronto Art Orchestra”

Sarah Davachi flies into psychoacoustic space

One could say that Sarah Davachi’s drone-based music is all about meditative states, or texture, or duration. But more than anything else, it’s about balance—between the theoretical and the practical, the material and the cerebral, the antique and the avant-garde, the electronic and the purely acoustic. Barons Court (Students of Decay), Davachi’s first vinyl release,Continue reading “Sarah Davachi flies into psychoacoustic space”

Craig Aalders’ el8dEra 3m

Ice cracking and melting; a forest by the coast; a dream; breath lingering in the cold air—these are some of the images that come to mind when listening to Vancouver composer Craig Aalders’ el8dEra 3m, the first-prize-winning composition in Musicworks’ 2016 annual Electronic Music Composition contest. An absorbing, ethereal work of shimmering organic tones andContinue reading “Craig Aalders’ el8dEra 3m”

Tom Wayman’s “Elemental Musics: Selkirk Mountains”

1. ARIA Alpine wind in the stunted firs half whispers an austere wistfulness with overtones of regret at being compelled by a harsh landscape to be mercilessly forthright: a breathy flute-note surging and fading as the mountain exhales               inhales 2. SONATA The susurrous crescendo rises amid the crowns of tall birch, cedar, pine,Continue reading “Tom Wayman’s “Elemental Musics: Selkirk Mountains””