“THIS PIECE HAS A NEW NAME,” ANNOUNCED GEORGE LEWIS, composer, trombonist, writer, and professor, speaking from the stage of the Community Church of New York. “I realized as I got into it that the old name—the name you have in your programs—doesn’t really fit.” The title given in the program of the October 23, 2015 concertContinue reading “The Creative Constructions of George Lewis”
Author Archives: Musicworks
Christine Duncan Unleashes the Elements
IT ALL CAME BACK SO FAST: the Whip, the Punch, the Elements. All those gestures unlocked my voice and made it respond exactly as it was supposed to—even after a five-year absence. Late last year, I embedded myself with the Element Choir, the world’s leading structured-improvisation choral group, as it prepared for one of itsContinue reading “Christine Duncan Unleashes the Elements”
Ayelet Rose Gottlieb’s Open-Heart Tunings
There’s a faint but persistent ringing coming from the southwest corner of Ayelet Rose Gottlieb’s Vancouver apartment. We discover one of her young twins picking purposefully at the keys of a brightly coloured toy piano. The other twin comes over, attracted by this large stranger’s curiosity, and contributes her own jangling notes. When I startContinue reading “Ayelet Rose Gottlieb’s Open-Heart Tunings”
The Radical Transcriptions of sfSound
PERHAPS NO OTHER AMERICAN METROPOLIS is more associated with important countercultural movements than the San Francisco Bay Area. From the Beats of the 1950s and the hippies of the 1960s to the radical punks of the ’70s and ’80s, the “city by the Bay” has long attracted creative visionaries, free thinkers, and fringe seekers. AmidstContinue reading “The Radical Transcriptions of sfSound”
Fresh Moves in Music Therapy
One hundred and twenty kids, seated on benches and gym mats, are beaming as they beat out a pulsating rhythm on small percussion instruments. Their ecstatic expressions match that of drummer and occupational therapist Leaf Miller [ABOVE PHOTO, LEFT, working with student at Abilities First School, Poughkeepsie, NY] who is leading this massive jam sessionContinue reading “Fresh Moves in Music Therapy”
Di Mainstone Fashions a New Sonic Future
Di Mainstone, inventor of the Human Harp, describes herself as a “bridge botherer.” But to be accurate, her bridge-bothering activities are fairly recent. Before bridges (the Human Harp has, to date, played bridges in Brooklyn, Omaha, and Bristol) came mood-sensitive kinetic outfits and prosthetic sound devices. In Mainstone’s tiny studio, perched atop a disused VictorianContinue reading “Di Mainstone Fashions a New Sonic Future”
Anna Pidgorna’s Invented Folk Songs
With its balance of bold colour palettes, strong melodic profiles, and unexpected performative elements, composer Anna Pidgorna’s work has been catching eyes and ears of late. Her chamber opera On the Eve of Ivan Kupalo recieved a 2013 SOCAN Foundation Award, and Light-Play through Curtain Holes, a solo accordion piece, represented Canada at the ISCMContinue reading “Anna Pidgorna’s Invented Folk Songs”
The Friendly Exchanges of Germaine Liu
When percussionist Germaine Liu performs, there’s more to her approach than simply striking a snare drum with a wooden stick. Liu seeks a deeper intimacy with her instruments, exploring all the sounds they might produce by closely examining each part. This is the key to the Toronto composer’s music, and an approach she developed whileContinue reading “The Friendly Exchanges of Germaine Liu”
Joshua Abrams’ Natural Information Society
THERE’S AN ENGAGING CATCH-AS-CATCH-CAN LOOK to Joshua Abrams’ Natural Information Society, something that immediately conveys a certain spontaneity, yet disguises—slightly—the complexity of the music. During the band’s North American tour in May 2015, which included performances at Festival International de Musique Actuelle de Victoriaville and Toronto’s Array Space, an unusual combination of instruments was putContinue reading “Joshua Abrams’ Natural Information Society”
Christine Sun Kim Explores the Politics of Sound
“Low frequencies just being abstract and shit — High frequencies be like anal and micromanaging for no good reason — Silence oblivious as ever” These words are handwritten in a drawing that was included in an exhibition of new works by Christine Sun Kim in the summer of 2015 at White Space Beijing, a contemporary artContinue reading “Christine Sun Kim Explores the Politics of Sound”