The experimental music scene in Beirut, Lebanon, may exist in relative geographic isolation from other global movements of a similar ilk, but over the past fifteen years it has become a dynamic hub for a dense concentration of fiercely independent musical voices. From humble beginnings and tiny numbers, the close-knit community has grown and thrived,Continue reading “The New Sounds of Lebanon”
Author Archives: Musicworks
The Ondes Martenot is Making New Waves
No one knows exactly how many functioning ondes Martenot are in use around the world today, but an informed, conservative estimate puts their number at sixty. In the course of half a century, Maurice Martenot, the creator of this most sensitive electronic musical instrument, was able to handcraft around 270 of them. More interested inContinue reading “The Ondes Martenot is Making New Waves”
Giorgio Magnanensi in the Sonic Playground
Admirers of Giorgio Magnanensi—composer, conductor, teacher, and the artistic director of Vancouver New Music Society—tend to be lavish in their praise of him. “Giorgio is singularly the best conductor of modern music, period,” says composer and Capilano University jazz instructor Bradshaw Pack. Vancouver music critic Alex Varty calls him “one of the most outgoing, provocative,Continue reading “Giorgio Magnanensi in the Sonic Playground”
Charlemagne Palestine Pulls Out the Stops
Interpretation takes the sensory experience of the work of art for granted, and proceeds from there. What is important now is to recover our senses. We must learn to see more, to hear more, to feel more. —Susan Sontag, “Against Interpretation” “My work speaks for itself and doesn’t need to be explained,” Charlemagne Palestine insists,Continue reading “Charlemagne Palestine Pulls Out the Stops”
Community Muse
As I approach the finish line of my first issue as editor of Musicworks, I am keenly aware of the sonic geography that surrounds me. Pharoah Sanders’ Message From Home is playing in the background. My dog is snoring nearby. The kitchen appliances are humming. But beyond the familiar sounds of my late-night working groove,Continue reading “Community Muse”
Lisbon, Portugal
FULL TEXT AVAILABLE ONLY IN PRINT EDITION A wolfman wanders Lisbon’s Praça do Comercio, the broad public square facing the Tagus River estuary leading to the sea. It is nearly midnight. He is bearded, shirtless, and his bare feet slap the calçadas, the white stones that pave the city. He eyes the moon, tips hisContinue reading “Lisbon, Portugal”
True Confessions Of A Church-goer
That’s me in the spotlight . . . or, more accurately, that’s me in the third pew, left of centre aisle. In the photograph, I am the small mass of auburn hair lit up by the white glare of the big screen at the opening night gala of the 2013 Images Festival, the venerable and very large spring-timed celebrationContinue reading “True Confessions Of A Church-goer”
Buffalo New Music
FULL TEXT AVAILABLE IN PRINT EDITION ONLY Buffalo has long held an aura of adventure for me. The first time I visited the city, I was intrigued by the impressive collection of modernist work at the Albright-Knox Art Gallery, where I returned often in the 1970s, driving from Toronto with a carful of my fellowContinue reading “Buffalo New Music”
John Wynne
FULL TEXT AVAILABLE IN PRINT EDITION ONLY A chill-blue image of ocean waves projects across the join of two white walls. At first the image appears still, but then you notice the waves undulating gently. On a table in front of the image, and housed in a small casket with its lid raised, twelve hearingContinue reading “John Wynne”
Gordan Monahan
Gordon Monahan’s voice floats to me across the Internet from his farm, the Funny Farm, his home base in Meaford, Ontario. Monahan was recently awarded a 2013 Governor General’s Award in Visual and Media Arts, and is already planning a series of installations for 2013, the soonest of which will be a piece for HammerContinue reading “Gordan Monahan”