It’s 1999. The millennium is approaching, and Kyle Brenders, teenage saxophonist, is living the small-town Ontario version of the jazz life. He’s a member of the Bill Sherry Big Band, playing vintage swing tunes for dancers in the St. Thomas municipal arena, decades-old tunes echoing around the rafters. Brenders, who will ten years later jokeContinue reading “Kyle Brenders”
Author Archives: Musicworks
Urbanvessel and Juliet Palmer
Suit-tail-clad Juliet Palmer sits at the top of a stepladder in the middle of the diamond-shaped ring. Tonight, she’s not wearing her Canadian composer hat. Tonight, she’s a sports announcer. “Ladies and gentlemen, boys and girls, welcome to Voice-Box!” she booms. You can almost imagine her clasping a vintage mike hanging from the ceiling. LeaningContinue reading “Urbanvessel and Juliet Palmer”
The Swedish Sound-Art Scene
Nadine Byrne Monochrome images of two young women—evidently sisters—stare out impassively from oval apertures that resemble Victorian cameo brooches. A gauzy ectoplasmic fabric oozes from their mouths while, in an aperture between them, their faces merge in a dreamlike blur to evoke the face of their late mother. The soundtrack to this absorbing five-minute plungeContinue reading “The Swedish Sound-Art Scene”
G20
“Down with capitalism, up with socialism!” This distorted-megaphone message is heard against a backdrop of African drumming, French resistance songs, and the constant whirr of helicopters overhead. The rally organizers direct the crowd, “Please walk slowly and peacefully out of the park and west toward City Hall, where we will start our speeches.” It isContinue reading “G20”
New Age Music—The Second Wave
I’m lying on the living-room floor. I’ve been like this for two hours, on my back, in the dark, headphones on. The record on the turntable is literally locked in its groove and producing a low-note drone that at times sounds like a whale’s moan or some sort of detuned, prepared trombone, if such aContinue reading “New Age Music—The Second Wave”
Richard Marsella
“Good evening and welcome to the Friendly Rich Show. My name is Friendly Rich. Thank you. And I’ll be your loyal host this evening. Behind me, my mystery-meat orchestra, the Lollipop People. No need to clap, kids. Tonight’s show is full of the good stuff. We got dirty crank calls, burlesque puppets, circus cartoons, aContinue reading “Richard Marsella”
The Combine Project
The Combine Project (2004-09) is a series of kinetic sound sculptures constructed from an abandoned 1964 Allis-Chalmers All-Crop combine harvester. I discovered it ten years ago on a property my wife and I purchased when we moved from Toronto to rural Ontario. The piece of outdated farm machinery was abandoned completely intact, and served asContinue reading “The Combine Project”
Darsha Hewitt
Following the work of Darsha Hewitt is like feeling your way through the inside of an electronic circuit. It is tactile, visceral. Her trial-and-error approach comes from a truly experimental place, and during my conversation with her, I suggest that I have imagined her jotting down observations on a clipboard while wearing a white labContinue reading “Darsha Hewitt”
St. John’s, Newfoundland
It’s July 2001 in St. John’s, Newfoundland—the one-hundredth anniversary of Marconi’s successful reception of transatlantic wireless transmissions on Signal Hill. In town on a visit, I decide to pay homage to the event by hiking up the Harbour Trail to Signal Hill. The trail possesses a variety of physical and aural features that define bothContinue reading “St. John’s, Newfoundland”
Yannis Kyriakides
“Why don’t you come by my place and I can sell you the CDs you’re seeking,” said the voice on the phone. It was the spring of 2005, I was in Amsterdam and looking for recordings from the Dutch label Unsounds. The voice on the other end of the line was that of Dutch-Cypriot composerContinue reading “Yannis Kyriakides”