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By his own account, Eliot Britton’s music treads dangerous territory. “I represent huge problems with art music and the whole idea of art music,” he says, and goes on to describe how in his compositions within the context of his Ph.D. in music research at McGill University, he’s inching the genres of pop and concert music closer and closer together. “And then I’ll get in trouble and kind of move them apart a little bit,” he admits.
The technical listening, commercial tools, and problem-solving skills that he picked up through years of performing and producing in the pop world inform his electroacoustic work, while the elegance of line and gestural language acquired through his studies in art music enrich his pop composition. The cultural division is something Eliot can’t help but ignore.
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Image by: Dustin Leader
Gloria Lipski is a Master’s graduate and freelance writer in Montreal. Ethnomusicology is a field that Gloria enjoyed for its interview-based and ethnographic writing. With a lifetime of personal journaling behind her, Gloria was keen to engage in more popular and periodical writing after university, including liner notes and website copy. Her thrilled involvement with Musicworks will hopefully prove ongoing. Gloria’s interest in new music was sparked when she attended a student performance of the time-stretched Beethoven’s 9th, 9 Beet Stretch. Current musical practices include choral singing and studying Music Therapy.