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Festival International Musique Actuelle Victoriaville, 32nd Edition.

The Festival International Musique Actuelle Victoriaville (FIMAV) arrives with the late,  brief spring of Quebec’s central region, an energizing jolt between winter and summer that sees the flowering of older vines and new life bursting through the earth. This year’s instalment of FIMAV did what it has done very well for many years: present challengingContinue reading “Festival International Musique Actuelle Victoriaville, 32nd Edition.”

New Stages For New Music

Intense purple LED light washes over the Thin Edge New Music Collective (ABOVE PHOTO) as they scramble to soundcheck, seeming to heighten the chaotic mood at Long Winter, Toronto’s monthly interarts festival series during the coldest season. Two different sources of electric guitar bleed into the room from other performance spaces inside the historic, ramblingContinue reading “New Stages For New Music”

Michael Blake. Fulfillment.

Program music that’s more music than program, New York-based Canadian saxophonist Michael Blake’s eight-part suite Fulfillment is a reimagining of 1914’s Komagata Maru incident, when Canada’s exclusionary racial laws wouldn’t allow a ship carrying several hundred Sikh immigrants to land in Vancouver. Blake’s great-great-uncle was a Member of Parliament who called for “a white countryContinue reading “Michael Blake. Fulfillment.”

François Carrier / Steve Beresford / John Edwards / Michel Lambert. Outgoing.

Like a peripatetic Old West gunslinger, Montreal alto saxophonist François Carrier roams extensively to challenge himself alongside the planet’s best improvisers, and so far has gone head-to-head with players from Poland, Russia, France, and the United States. Now it’s the United Kingdom’s turn. This seventy-minute CD captures five friendly dustups involving Carrier, Montreal percussionist MichelContinue reading “François Carrier / Steve Beresford / John Edwards / Michel Lambert. Outgoing.”

Guelph Jazz Festival. Guelph, Ontario. September 16–20, 2015.

Storytelling of the verbal and instrumental variety was an important feature of this year’s Guelph Jazz Festival. New venues such as Heritage Hall, Guelph’s first black church, and the soft-seated Guelph Little Theatre added a feeling of intimacy to the festival’s innovative programming. Front and centre with tales, tall and otherwise, were multireedist Douglas EwartContinue reading “Guelph Jazz Festival. Guelph, Ontario. September 16–20, 2015.”