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Adam Basanta

“I’ve always been interested in perception and apperception,” writes Montreal-based composer Adam Basanta in a recent e-mail correspondence. “This has led me, as a musician and composer, to centre my work on listening as a perceptual and psychological experience.” The cerebral nature of this statement is in direct contradiction to the playful Web image ofContinue reading “Adam Basanta”

Terri Hron joins the flock

The slight, bright-eyed woman comfortably seated in her sunny Montreal studio is known as a musical beast. Hard to imagine. But the epithet is just one of several that contemporary recorder player and composer Terri Hron has earned—not on the expected grounds of virtuosity, but rather for her self-described unrefined and unconventional technique. Yes, you’veContinue reading “Terri Hron joins the flock”

The Swedish Sound-Art Scene

Nadine Byrne Monochrome images of two young women—evidently sisters—stare out impassively from oval apertures that resemble Victorian cameo brooches. A gauzy ectoplasmic fabric oozes from their mouths while, in an aperture between them, their faces merge in a dreamlike blur to evoke the face of their late mother. The soundtrack to this absorbing five-minute plungeContinue reading “The Swedish Sound-Art Scene”

Yannis Kyriakides

“Why don’t you come by my place and I can sell you the CDs you’re seeking,” said the voice on the phone. It was the spring of 2005, I was in Amsterdam and looking for recordings from the Dutch label Unsounds. The voice on the other end of the line was that of Dutch-Cypriot composerContinue reading “Yannis Kyriakides”

Debashis Sinha

“La montaña. El cuervo. Cada mota de polvo elevada por mis pasos alberga incontables palabras,” intones the deeply resonant voice, as the rhythmic sound of footsteps fades up and a single gong-stroke repeats slowly. This is Kailash, a radiophonic work by Toronto’s Debashis Sinha, commissioned from him in 2009 by Centro para la Difusión deContinue reading “Debashis Sinha”