Kris Davis is working on setting a routine. It’s not an unusual task. It’s one that new mothers all over Brooklyn who work odd hours have to contend with. But it’s a challenge. She’s up at six a.m. every day with her son, who turned one in July 2014. While on new-mother duty, Davis isContinue reading “Kris Davis nurtures new shapes in jazz”
Genre Archives
Isaiah Ceccarelli
“I know it may sound crazy, but I am interested in making beautiful music—music that sounds good. I’m not saying this just to be different, and it might not be in line with a lot of the reasons that people make music today, but I am actually not very involved with, or worrying so muchContinue reading “Isaiah Ceccarelli”
Adrian Verdejo. Modern Hearts.
Recordings of new music for electric guitar are rare. Solo efforts in that field are rarer still. And albums that fully exploit the sonic capabilities of the instrument are practically unheard of, thus making Adrian Verdejo’s Modern Hearts almost a public service—at least for those of us who wonder why one of the world’s mostContinue reading “Adrian Verdejo. Modern Hearts.”
Jocelyn Morlock. Cobalt.
Cobalt, Jocelyn Morlock tells us, is one of the most poisonous elements, but it’s hard to imagine anyone dying of exposure to this Vancouver-based composer’s music—unless it was from a surfeit of beauty. Her strongest pieces can be described in a single word: numinous; although one suspects that if there’s a dash of the mysticalContinue reading “Jocelyn Morlock. Cobalt.”
Chiyoko Szlavnics draws the ear towards infinity
“I keep coming back to light on water,” says Chiyoko Szlavnics, explaining her interest in beating, that intriguing fluttering effect that arises when sound waves of slightly differing frequencies coincide. “It’s a very similar kind of synaptic experience—for me, at least. We don’t hear beating in music, normally. But it moves me, like sunlight dancingContinue reading “Chiyoko Szlavnics draws the ear towards infinity”
Mark Molnar’s alternative trajectories
Harrowingly unbridled and unpredictable, yet blatantly meticulous in their construction, Mark Molnar’s compositions frequently emerge as rugged tangles of bowed-string sonorities. Even though their gestural expressivity might suggest that they could’ve been conceived in myriad other ways—through structured group improvisation, or perhaps through recording only—his pieces are written out with note-perfect exactitude. At first, oneContinue reading “Mark Molnar’s alternative trajectories”
Susanna Hood, Scott Thomson. The Muted Note: Songs Based on Poems by P. K. Page.
The songs on The Muted Note are an outgrowth of work made by trombonist Scott Thomson and singer-dancer Susanna Hood as part of The Rent, a Toronto quintet that was initially dedicated to performing the music of the late saxophonist and composer Steve Lacy—including his extensive setting of texts ranging from Lao Tzu to GregoryContinue reading “Susanna Hood, Scott Thomson. The Muted Note: Songs Based on Poems by P. K. Page.”
The Intimacy of Summer Listening
One Friday evening in early May, I jumped on my bicycle and dipsy-doodled to the Music Gallery along Toronto’s pothole-ravaged streets. Musician–producer Radwan Ghazi Moumneh was premiering a new work by Jerusalem In My Heart, the evolving performance project he founded in 2005. With a Canadian tour in the early summer, and European dates inContinue reading “The Intimacy of Summer Listening”
Rob Power. Touch.
Percussionist Rob Power, based in St. John’s, Newfoundland, is a musical jack of all trades, although contrary to the conclusion of the popular saying, he is seemingly a master of all of them. In addition to teaching at the percussion faculty at Memorial University, he performs with symphonies, rock bands, and improv groups, premiers concertosContinue reading “Rob Power. Touch.”
Quatuor Bozzini
Quatuor Bozzini is poetry, sweat, talent, idealism, determination, love, survival, fate, and a wonderful wild dance with the spirits. For fifteen years, the Montreal ensemble has steadfastly explored the notion of what contemporary music means today. The players are irrepressible creators and innovators, whether working in the far lands of experimental sound art, the closeContinue reading “Quatuor Bozzini”