Toronto’s Rat-Drifting label has long been committed to releasing sneakily hybridized and organically concept-informed music. Work that is deliciously fraught with odd details and the idiosyncrasies of the community from which it springs. Cameron’s compositional and improvisatory styles are highly compatible with the label’s balance of diversity and a particular aesthetic focus. She has longContinue reading “The Allison Cameron Band. The Allison Cameron Band.”
Genre Archives
Thomas, Farah, and D’Eon
I’m sitting with Thom Gill and we’re talking about his most recent EP Such Is Your Triumph, arguably his most intimate and personal set of recordings to date. In addition to his beautifully hushed and harmonically inventive takes on two gospel songs made famous by the Clark Sisters, the EP also contains several original pieces,Continue reading “Thomas, Farah, and D’Eon”
Philip Glass
Most people get presents or have parties thrown for them on special occasions. Philip Glass, however, was in more of a giving mood as he celebrated his seventy-fifth birthday at the end of January. The candles on his cake marked the start of a remarkable year that has the American composer travelling around the worldContinue reading “Philip Glass”
Nico Muhly
“Rules in cooking are not iron-cast (and, as in any medium of expression, they are often bent or broken by practitioners of talent—but to break rules, one must have rules). They are merely the expression of a well of experience formed and enriched over the centuries, re-examined, modified, or altered in terms of changing needs,Continue reading “Nico Muhly”
Gregory Oh
On the first Sunday in March 2011, at the Betty Oliphant Theatre in Toronto, Gregory Oh performed in a concert featuring the works of British composer Jonathan Harvey. Oh wore a grey-collared shirt and black pants. His Fluevog shoes were shiny black with aqua laces, which even under his piano caught the lowest light. AtContinue reading “Gregory Oh”
Terri Hron joins the flock
The slight, bright-eyed woman comfortably seated in her sunny Montreal studio is known as a musical beast. Hard to imagine. But the epithet is just one of several that contemporary recorder player and composer Terri Hron has earned—not on the expected grounds of virtuosity, but rather for her self-described unrefined and unconventional technique. Yes, you’veContinue reading “Terri Hron joins the flock”
Cléo Palacio-Quintin
“My work as a composer is eminently solitary. I feel like an island, but each island is a world, and in turn I am composed of these many worlds.” This is how Montreal composer, hyper-flute inventor, and performer Cléo Palacio-Quintin describes her work. Introspective and speaking in metaphor, she appears more apt to read aloudContinue reading “Cléo Palacio-Quintin”
Paul Walde Subverts Nature as Culture
The column of light is beamed directly into the sky. As if intended to summon some celestial visitor, the beam of photons is emitted from a circle of glowing discs, placed in the most unassuming place imaginable—a farmer’s field (don’t ET’s always land there?). This, however, isn’t some outtake from Close Encounters of the ThirdContinue reading “Paul Walde Subverts Nature as Culture”
New Age Music—The Second Wave
I’m lying on the living-room floor. I’ve been like this for two hours, on my back, in the dark, headphones on. The record on the turntable is literally locked in its groove and producing a low-note drone that at times sounds like a whale’s moan or some sort of detuned, prepared trombone, if such aContinue reading “New Age Music—The Second Wave”
Richard Marsella
“Good evening and welcome to the Friendly Rich Show. My name is Friendly Rich. Thank you. And I’ll be your loyal host this evening. Behind me, my mystery-meat orchestra, the Lollipop People. No need to clap, kids. Tonight’s show is full of the good stuff. We got dirty crank calls, burlesque puppets, circus cartoons, aContinue reading “Richard Marsella”