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First-place winner, Musicworks’ 2017 Electronic Music Composition contest

The glitchy, vaguely dystopian composition constructed from manipulated vocals is almost widespread enough now to warrant its own genre tag. Laurie Anderson is, of course, its foremother. Recent interesting entries include Holly Herndon’s Platform, Katie Gately’s Pipes, and Giant Claw’s Soft Channel. All of them delight in detaching signifier from signified, building up intricate, oftenContinue reading “First-place winner, Musicworks’ 2017 Electronic Music Composition contest”

Apocalypsis

I ATTENDED A PERFORMANCE of the Luminato Festival’s production of R. Murray Schafer’s Apocalypsis not knowing what to expect; the full version of this work had only been produced once, thirty-five years ago. After the performance, I obtained the scores for its two acts—John’s Vision and Credo—as well as recordings of both the early production andContinue reading “Apocalypsis”

Casa Da Música Builds A Home For Experimental Music

FULL-TEXT AVAILABLE IN PRINT EDITION ONLY 1497. Lisbon, Portugal. Navigator Vasco da Gama commands the first ship to sail from Europe to India. During the fifteenth century Portugal’s navigators are at the cutting edge of innovation and world discovery, their travel exploits feats of experimental technique. While Vasco da Gama discovered the world’s vastness andContinue reading “Casa Da Música Builds A Home For Experimental Music”