Wherever Victor Gama plays, you can be sure clusters of people will be jostling to percuss the upturned metal bowls of his tipaw (so called because the surface of the instrument looks like the pads of a tiger paw), to bow the eight metal strings of the tahra, or simply to wander the length ofContinue reading “Victor Gama builds a brave new soundworld”
Genre Archives
Anthony Braxton. Echo Echo Mirror House.
At the 2011 Festival International de Musique Actuelle de Victoriaville, composer and saxophonist Anthony Braxton led a septet in his Composition No. 347+. That “+” in a Braxton title will usually be followed by a series of numbers indicating interpolated compositions, but in No. 347, one of the first works in a series called EchoContinue reading “Anthony Braxton. Echo Echo Mirror House.”
Glenn Buhr
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY Definitions of personal style don’t get any clearer with life experience. This becomes obvious during my interview with Canadian composer and pianist Glenn Buhr. It also becomes clear however, that personal style can be evaded more deliberately with age. With impressive compositional chops at his disposal, Buhr can articulateContinue reading “Glenn Buhr”
Casa Da Música Builds A Home For Experimental Music
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY 1497. Lisbon, Portugal. Navigator Vasco da Gama commands the first ship to sail from Europe to India. During the fifteenth century Portugal’s navigators are at the cutting edge of innovation and world discovery, their travel exploits feats of experimental technique. While Vasco da Gama discovered the world’s vastness andContinue reading “Casa Da Música Builds A Home For Experimental Music”
Cassandra Miller’s Unclassifiable Concert Music
If you had just commissioned Cassandra Miller to write a new piece of music for you, she might get the ball rolling by chuckling and then asking you, “What do you sing when you’re in the shower? What was your favourite song as a kid? What would you be if you weren’t a musician?” ThenContinue reading “Cassandra Miller’s Unclassifiable Concert Music”
Jocelyn Morlock
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY Jocelyn Morlock had purple hair for years. “It was indigo, in fact.” She narrows it down further: “Like an eggplant.” Specificity of colour matters to Morlock, not the least in music. “Colour: That’s what I think about when I hear somebody’s work I like,” she says. Morlock can beContinue reading “Jocelyn Morlock”
Christopher Mayo
In 2005, Christopher Mayo had a summer that unexpectedly changed his approach to composing. The Toronto-born composer spent three weeks at the Bang on a Can Summer Music Institute in North Adams, Massachusetts, where he came into contact with composers Michael Gordon, David Lang, Julia Wolfe, and Steve Reich. Mayo, who had recently gained aContinue reading “Christopher Mayo”
Dániel Péter Biró
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY Composer Dániel Péter Biró talks about his work in long, lucid sentences. He takes his time, he doesn’t double back or digress, and he rarely needs to correct himself. But just when you think his explanation is complete, he adds another layer. His music, too, is multi-layered, butContinue reading “Dániel Péter Biró”
Analia Llugdar
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY In her music, Montreal composer Analia Llugdar delves deeply into the primal interior of sound, as evidenced by a sampling of her work from 2003 to 2009. There are compositions for solo cello, small (trio) and large ensembles, often incorporating singing and speaking voices, as well as a music theatreContinue reading “Analia Llugdar”
Micachu & The Shapes
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY Growing up on the outskirts of London, kids are drawn to the city by any number of attractions, from shops to sport matches, from galleries to gangsta posing. For Mica Levi, it was classical-music concerts. Growing up in an intensely musical family, that was a typical weekend excursion.Continue reading “Micachu & The Shapes”