One of the joys of improvised music is its openness to unusual instruments and novel sounds. The pedal steel guitar, largely restricted to country music, has found new life in the creative vision of Susan Alcorn, whose practice extends to the works of Olivier Messiaen and Astor Piazzolla as well as spontaneous music. Manifesto documentsContinue reading “Susan Alcorn, José Lencastre, Hernâni Faustino. Manifesto. Clean Feed, CF637CD.”
Genre Archives
Yves Charuest, Michel Ratté, and Peter Kowald. Montréal, 1985
In the past decade, Montreal-based alto saxophonist Yves Charuest has re-emerged as one of Canada’s most significant improvisers. The LP Montréal, 1985 documents a brilliant moment in Canadian jazz when bassist Peter Kowald, a founding figure of the German jazz avant garde, briefly lived in Montreal and worked with Charuest and drummer Michel Ratté. WhenContinue reading “Yves Charuest, Michel Ratté, and Peter Kowald. Montréal, 1985”
2022 Guelph Jazz Festival.
The 2022 edition of the Guelph Jazz Festival marked a singular recovery from the rigours of the COVID-19 pandemic, with more presentation venues engaged than at any time in its twenty-eight-year history. Following the cancellation of the 2020 season, the festival’s creative team of Scott Thomson and Karen Ng found imaginative ways to keep performersContinue reading “2022 Guelph Jazz Festival.”
Derek Bailey. Domestic Jungle.
In the ’90s, London guitarist Derek Bailey would sit at home and improvise along with jungle and drum-and-bass music playing on underground radio stations. The DJs would repeat music, then suddenly drop off and talk aimlessly—it was all fodder for the anarchic genius of Bailey, who would supplement the chaos of the radio with hisContinue reading “Derek Bailey. Domestic Jungle.”
The Audacious Artistry of Ig Henneman
The year is 1979, and Ig Henneman is ready to rock. In pink zebra-print pants and a black tank top, she strikes a power pose on the stage of Amsterdam’s Paradiso. Her gold-painted Barcus-Berry electric viola glows in the spotlight. She is playing a Rock Against Racism show, flanked by her rock band F.C. Gerania,Continue reading “The Audacious Artistry of Ig Henneman”
Festival International de Musique Actuelle de Victoriaville, 38th edition.
After a lean, socially distanced 2021 edition, Festival International de Musique Actuelle Victoriaville (FIMAV) returned this year with a strong program that offered concertgoers a chance to discover large-ensemble works by established artists along with fresh, genre-bending musical endeavours from the new generation. The tone was set by the awe-inspiring performance of the Montreal-via-Cairo singerContinue reading “Festival International de Musique Actuelle de Victoriaville, 38th edition.”
Instruments of Happiness. Slow, Quiet Music in Search of Electric Happiness.
Tim Brady is the artistic director of Instruments of Happiness, under which group name he leads various guitar ensembles of up to one hundred axes. This latest studio release is a collection of four works commissioned for guitar quartet. Each composer was asked to create a piece of approximately fourteen minutes, using spatial elements whileContinue reading “Instruments of Happiness. Slow, Quiet Music in Search of Electric Happiness.”
René Lussier, Érick d’Orion, Robbie Kuster, and Martin Tétreault. Printemps 2021.
A notable blend of noise and nuance, this Québécois quartet soars through seven live improvisations without ever fraying the sonic thread that holds them together. Veterans in this context, René Lussier (guitar and daxophone) and Robbie Kuster (drums) add just enough squeezed-string elaborations or percussion backbeat to project their identities, while electronic impulses from ÉrickContinue reading “René Lussier, Érick d’Orion, Robbie Kuster, and Martin Tétreault. Printemps 2021.”
Gordon Grdina and Jim Black. Martian Kitties.
Canadian Gordon Grdina and American Jim Black cannily invest this album’s thirteen tracks with multiple textures from two instruments each: Grdina playing guitar and oud, and Black using drums and electronics. The augmentation doesn’t follow the expected course though, with the additional instrumentation leading to neither faux–world music exotica nor an over-reliance on voltage. Instead,Continue reading “Gordon Grdina and Jim Black. Martian Kitties.”
Understory’s Sonic Ecosystem
Like many performing musicians, I considered leaving the music business in 2020. The confluence of loss of work due to the pandemic, exhaustion from years of gig-hustling, and the intensity of social, political, and environmental crises left me wanting to help directly (on good days) or hide completely (on other days). I needed to seeContinue reading “Understory’s Sonic Ecosystem”