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Linda Catlin Smith. Ballad.

Traditional ballads, Scottish writer Willa Muir once suggested, arise from deep strata of shared human experience. They open onto landscapes of feeling and imagination that have their own unhurried rhythms, quite distinct from the regulatory measures of clock time. This performance by cellist Anton Lukoszevieze and pianist Kerry Young of Linda Catlin Smith’s Ballad (2004)Continue reading “Linda Catlin Smith. Ballad.”

Barbara Monk Feldman. Verses.

The Northern Shore alludes in its title to Gaspé Peninsula, eastern Quebec, where the St. Lawrence flows into the Atlantic. The four other titles on this disc lack such site specificity, yet all five compositions may be heard as meditations on diffusion. The presence of each note as it appears in Barbara Monk Feldman’s musicContinue reading “Barbara Monk Feldman. Verses.”

Trase Pa: Choreographing the Soundworld of David Bontemps’s Traces

In most cultures there has always been a synergetic interplay between music and dance—one informing and amplifying the other. Music exemplifies the physicality and rhythmicity that exists in a dancing body. The synergy of dance and music is a repertoire of invitations to the spaces in between—where syncopation meets breath and elicits feeling, and whereContinue reading “Trase Pa: Choreographing the Soundworld of David Bontemps’s Traces”