Rose Bolton speaks clearly about what she wants. “I think clever would be the word that I would not want to hear people use when speaking about my music—regardless of whether it actually is or not. Ultimately, it’s not music about music; there has to be a bigger purpose.” Bolton didn’t always think this way.Continue reading “Rose Bolton”
Author Archives: Musicworks
Jocelyn Morlock
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY Jocelyn Morlock had purple hair for years. “It was indigo, in fact.” She narrows it down further: “Like an eggplant.” Specificity of colour matters to Morlock, not the least in music. “Colour: That’s what I think about when I hear somebody’s work I like,” she says. Morlock can beContinue reading “Jocelyn Morlock”
Nicole Lizée
I asked Nicole Lizée, newly commissioned to compose a work to commemorate the hundredth anniversary of John Cage’s birth, if she has ever before composed with that iconic artist in mind. How could she not? She is, after all, known for her nonstandard use of instruments, prepared turntable, found objects, and dance music—all elements associatedContinue reading “Nicole Lizée”
Olivia Block
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY The sound of a clarinet passage emerges from a quiet section and is punctuated by a series of minute electronic tones. Accompanying the clarinet is a recording of the wind, but the sound is more than just that of a rush of wind; it is the sound ofContinue reading “Olivia Block”
Sarah Peeble`s Audio Bee Booth
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY Pollination Wunder Station is a wunderkammer—cabinet of curiosities—full of fascinating living things. The piece is part habitat interpretation, part bio art, part sound installation, and part sculpture. It is one in a series of audio bee booths that are amplified habitat installations for solitary nesting bees and wasps. TheseContinue reading “Sarah Peeble`s Audio Bee Booth”
Clint Conley and Hildegard Westerkamp
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY You haven’t picked up your guitar in weeks, if not months. You stare at the staff paper and the rows of empty lines burn an impression on your retina. Is this just writer’s block, or is it gone for good? Many artists have an up-and-down, on-again-off-again relationship withContinue reading “Clint Conley and Hildegard Westerkamp”
Cage And Duchamp’s Reunion
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY On the periphery of the dimly lit stage of Toronto’s Ryerson Theatre, four musicians are setting up musical instruments, laptops, and various musical gadgets in preparation for the evening’s all-night performance. Audio cables snake across the stage to converge in the centre, where a technician is plugging them intoContinue reading “Cage And Duchamp’s Reunion”
Bennett Jenisch
In addition to having recently won the Musicworks Electronic Music Contest with his first ever acousmatic piece, Buried Gesture, Bennett Jenisch also writes and performs with his live electronic band Moth Vegas. “I would say that probably about half of what I produce is stuff like the Moth Vegas project [an audiovisual project with collaboratorContinue reading “Bennett Jenisch”
Rachael Wadham: Installing A Quiet Sound-World
FULL-TEXT AVAILABLE IN PRINT EDITION ONLY The work of Vancouver-based sound artist, improviser, and composer Rachael Wadham often hinges upon a certain pack-rat sensibility, with sounds scavenged from mundane, remote, or even derelict sources, squirrelled away with humble meticulousness. Even her improvisational playing on a falling-apart zither evinces this sense of coarse rigour, as sheContinue reading “Rachael Wadham: Installing A Quiet Sound-World”
Christopher Mayo
In 2005, Christopher Mayo had a summer that unexpectedly changed his approach to composing. The Toronto-born composer spent three weeks at the Bang on a Can Summer Music Institute in North Adams, Massachusetts, where he came into contact with composers Michael Gordon, David Lang, Julia Wolfe, and Steve Reich. Mayo, who had recently gained aContinue reading “Christopher Mayo”