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Charles Barabé. La lente histoire de l’oubli.

Based in Victoriaville, Quebec, the prolific electronic composer Charles Barabé has become a preeminent figure in the North American tape-label underground with a varied five-year streak of releases for notable imprints such as Jeunesse Cosmique, Orange Milk, Crash Symbols, and Astral Spirits. Encompassing screwball collage, synthesizer vision quests, and hyperreal ersatz-orchestral sonorities, his catalogue intriguesContinue reading “Charles Barabé. La lente histoire de l’oubli.”

Pursuit Grooves. Bess.

For some, the name Bessie Coleman will not ring a bell. She was the first African American–Indigenous female to receive an international pilots’ licence in 1921. Famous in her time, Coleman died at age thirty-four, nearly 100 years ago. Although her life is rarely discussed today, time has not diminished her importance and relevancy. OnContinue reading “Pursuit Grooves. Bess.”

MUTEK Montreal, Twentieth Edition. Montreal, Quebec. August 20–25, 2019.

MUTEK Montreal has long served as the high-water mark around the world for a festival presenting leading artists in the fields of electronic music and digital art. The twentieth edition of the five-day festival confirmed MUTEK’s enduring relevance and commitment to promoting fresh ideas and perspectives within the audiovisual field. While electronic music is stillContinue reading “MUTEK Montreal, Twentieth Edition. Montreal, Quebec. August 20–25, 2019.”

Amy Brandon is Capturing Intimate Chaos

The first time I met guitarist-composer Amy Brandon, we talked about the lineage of a particular sound. Her 2019 composition Mimic—written while she participated in the Canadian League of Composers’ Pivot mentorship progam (presented in partnership with the Canadian Music Centre and Continuum Contemporary Music)—contains a percussion technique in which a woodblock set on topContinue reading “Amy Brandon is Capturing Intimate Chaos”

Sami Blanco’s Experimental Atmospheres

Yellowknife-based experimental electronic-music artist Sami Blanco plays me a snippet of a soundbank he made for late-night broadcast on Yellowknife’s francophone radio station, CIVR-FM, familiarly known as Radio Taïga. Emerging from a Korg MS2000—the virtual analog synthesizer Blanco dreamed about owning since he was sixteen—is a dazzling sequence that twinkles like stars on a clearContinue reading “Sami Blanco’s Experimental Atmospheres”

Bekah Simms’ Skinscape and Elliott Lupp’s Hinge

Bekah Simms’ Skinscape received an honourable mention from the jury of Musicworks’ 2018 Electronic Music Composition Contest. Skinscape is a work for flute and fixed media inspired by the transformation of something intimately familiar into something processed and alien, particularly through the lens of tattooing.  “Using almost exclusively flute samples for the fixed media part,Continue reading “Bekah Simms’ Skinscape and Elliott Lupp’s Hinge”

Terry Rusling. The Machine Is Broken.

Despite his collaborations with notable poets (Gwendolyn MacEwan, Bob Cobbing), affiliations with pioneering studios at stalwart institutions (BBC Radiophonic Workshop, the University of Toronto’s Faculty of Music, and others), and ties to that legendary beacon of Toronto subculture the Bohemian Embassy, composer Terry Rusling (1931–74) and his works remain on the periphery, even among curiousContinue reading “Terry Rusling. The Machine Is Broken.”