Watching Tanya Tagaq perform is more than just an auditory and visual experience: it’s physical. As the Nunavut-born, Manitoba-based throat singer moves around a stage, she unleashes something fierce and powerful that comes from deep within her body, yet seems positively unearthly. She mostly improvises her performances, tapping into traditional Inuit throat singing—growling, cooing, howling,Continue reading “Tanya Tagaq Grabs The World By The Throat”
Genre Archives
Jazz em Agosto, 30th edition.
Jazz em Agosto’s thirtieth edition added a few more performances than usual, but stuck to what it’s done so well for so long. The festival is presented by the Calouste Gulbenkian Foundation, sponsor of a symphony, a concert hall, a major museum, and a modern art gallery, all in one large park in central Lisbon.Continue reading “Jazz em Agosto, 30th edition.”
Mecha Fixes Clocks. Beau comme un aéroport; Pink Saliva. Il parait que.
These two CDs, released on Eric Normand’s Tour de Bras imprint, have in common the trumpet of Elwood Epps and the drums of Michel F. Coté, both players dynamic forces on Montreal’s improvised and musique actuelle scenes. Coté’s work, both as a composer and drummer, is always playful—he never saw a groove he didn’t want toContinue reading “Mecha Fixes Clocks. Beau comme un aéroport; Pink Saliva. Il parait que.”
Anthony Braxton. Echo Echo Mirror House.
At the 2011 Festival International de Musique Actuelle de Victoriaville, composer and saxophonist Anthony Braxton led a septet in his Composition No. 347+. That “+” in a Braxton title will usually be followed by a series of numbers indicating interpolated compositions, but in No. 347, one of the first works in a series called EchoContinue reading “Anthony Braxton. Echo Echo Mirror House.”
Insubordinations
The shifting technological terrain that has brought about the decline of the CD, the rise of the download, and the return of the LP, invites inventive solutions from musicians who want to get their music heard. In this spirit, the Swiss netlabel Insubordinations combines free downloads along with memorably designed, limited-edition CDs available on line,Continue reading “Insubordinations”
The New Sounds of Lebanon
The experimental music scene in Beirut, Lebanon, may exist in relative geographic isolation from other global movements of a similar ilk, but over the past fifteen years it has become a dynamic hub for a dense concentration of fiercely independent musical voices. From humble beginnings and tiny numbers, the close-knit community has grown and thrived,Continue reading “The New Sounds of Lebanon”
Giorgio Magnanensi in the Sonic Playground
Admirers of Giorgio Magnanensi—composer, conductor, teacher, and the artistic director of Vancouver New Music Society—tend to be lavish in their praise of him. “Giorgio is singularly the best conductor of modern music, period,” says composer and Capilano University jazz instructor Bradshaw Pack. Vancouver music critic Alex Varty calls him “one of the most outgoing, provocative,Continue reading “Giorgio Magnanensi in the Sonic Playground”
Yang Jing and Christy Doran. No. 9.
One of the more striking recent developments in improvised music has been the entry of several musicians trained in Chinese traditional music. There’s Min Xiaofen, a pipa player and singer residing in New York, who worked with the late Derek Bailey (the usually adversarial guitarist sounded just like a pipa for the occasion) and JohnContinue reading “Yang Jing and Christy Doran. No. 9.”
Colin Stetson’s Sound Story
Stories in which the protagonist blossoms, finds themselves, or rediscovers their roots appear everywhere. Their ubiquity makes it awfully tempting to replicate this narrative when telling the story of a solo artist who has arrived at a uniquely focused sound world. Yet sometimes it’s more powerful, and more in line with reality, to illuminate theContinue reading “Colin Stetson’s Sound Story”
Kyle Brenders Quartet. Offset.
Toronto-based saxophonist Kyle Brenders has studied and played extensively with Anthony Braxton, and he’s also a member of The Rent, a group dedicated to playing the compositions of Steve Lacy. The influences of both these American saxophonist-composers are evident in the debut recording of Brenders’ quartet, but what is more apparent is the extent toContinue reading “Kyle Brenders Quartet. Offset.”