Issue 131Fall 2018

Features

• 
  What’s Inside Musicworks 131?

  STIMULATING EARTH TONES

• 
  Jean-Sebastien Audet’s Songs of Ephemera

  THE SAME BUT BY DIFFERENT MEANS

  By Chaka V. Grier

• 
  Peggy Lee and the Joy of Unknowable Notes

  By Nancy Lanthier

• 
  Maria de Alvear, Rebel By Nature

  "I want to hear something I’ve never heard before . . . I want to hear the experiment."

  By Nick Storring

Sound Notes

• 
  Bug Incision: Calgary’s Cross-Pollination Buzz

  By Daniel Glassman

• 
  Wow & Flutter make breathing room

  By Sara Constant

• 
  wnoondwaamin | we hear them

  SOUND CARRIES MEANING

  By Lisa Myers

• 
  Lea Bertucci composes time and space

  SHIFTING SONIC ENVIRONMENTS

  By Darcy Spidle

• Everything Is Connected: New Twists in Circuit Bending

  Martin Howse and Darsha Hewitt are among a number of artist–investigators cracking, hacking, and making instruments to explore and critique our relationships with technology, the earth, and each other.

• 
  Muxubo Mohamed Dares to Represent

  hearing every rhythm

  By Monica Pearce

• 
  Carmen Vanderveken is full of surprises

  A TRIO FOR GAUDEAMUS MUZIEKWEEK

  By René van Peer