On the Cover: “Jessica Moss Explores the Orchestra Within” by Mary Dickie.
Features: “Ohama’s Alternative Dimensions” by Jesse Locke. “Resequencing Resonances: Two Toronto music venues set precedents in what repatriation looks like in music scenes” by Juro Kim Feliz. “Chloe Alexandra’s Meaningful Exchanges” by Sara Constant.
Sound Bites: “Mariana Vieira’s The Unexpected Encounter with Diversity” by Jennie Punter. “DenMother’s Emotional Landscapes” by Eric HIll. “Jordan Dykstra’s Special Effects” by Kurt Gottschalk. “Re:considering Venues” by editor Jennie Punter.
Reviews of new music from: An Laurence 安媛, Derek Bailey, Allison Cameron, Katelyn Clark and Isaiah Ceccarelli, Esmerine, Eucalyptus, Gordon Grdina, Quartetski, and Nick Storring.
Events: “London Contemporary Music Festival” by Daniel Glassman. “Sound Symposium XX” by Wendy Rose.
Issue 143Fall 2022
Features
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Jessica Moss Explores the Orchestra WithinBRAND NEW GALAXIES
By Mary Dickie
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Ohama’s Alternative DimensionsFRIENDLY CONNECTIONS
By Jesse Locke
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Resequencing ResonancesRepatriation is most often associated with artifacts in museums. Two Toronto music venues are setting precedents in what repatriation could look like in music scenes.
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Chloe Alexandra Thompson’s Meaningful ExchangesSOUND ENVIRONMENTS
Sound Notes
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Mariana Vieira’s The Unexpected Encounter with DiversityFIRST PLACE WINNER, 2021 MUSICWORKS ELECTRONIC MUSIC COMPOSITION CONTEST
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Jordan Dykstra’s Special EffectsFOCUS PULL
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Sabarah Pilon Finds the CentreCHARACTER WORK
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