Issue 130Spring 2018

Features

• 
  What’s Inside Musicworks 130?

  WEAVE COOL MUSIC

• 
  Sam Shalabi and the Evolution of a Global Aesthetic

  By Lawrence Joseph

• 
  Psiw-te npomawsuwinuwok kiluwaw yut

  (ALL MY PEOPLE, THIS IS FOR YOU)

  By Leanne Betasamosake Simpson

• 
  Sarah Hennies, Linguist in the Land of Noises

  MY MUSIC, MY SELF

  By Nick Storring

• 
  The Warp and Weft of Kelly Ruth

  LOOM MUSIC

  By Ian Crutchley

Sound Notes

• 
  First-place winner, Musicworks’ 2017 Electronic Music Composition contest

  ERIK INGALLS’ “THE GRAVITY OF PLIM”

  By Daniel Glassman

• 
  First-place Winner, Musicworks 2017 Sonic Geography Writing Contest

  INA ČIUMAKOVA'S “PLAYGROUNDS”

  By Ina Čiumakova

• 
  Label Profile: Redshift Records

  THE UNIVERSE IS EXPANDING

  By Alexander Varty

• 
  Vanese “VJ” Smith is Right on Time

  GROOVE PURSUITS

  By Chaka V. Grier

• 
  Listening in the Bernheim Forest

  As the Frost Moon rises, the author and her fellow explorers take a soundwalk.

• 
  Tomoko Sauvage’s Waterbowls

  By Greg J. Smith