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The Joy and Commitment of Solidaridad Tango

By almost any metric, Aparna Halpé seems an unlikely candidate to recast Argentine tango music for the modern age while simultaneously, almost paradoxically, safeguarding its musical heritage. As a woman of colour operating in a fiercely male-dominated genre, Halpé is an outlier. She is a classically trained violinist who was raised in Sri Lanka andContinue reading “The Joy and Commitment of Solidaridad Tango”

Currently Arts Society is Activating the Future

The term “experimental art” often elicits vacant looks and furrowed brows, even among artists and arts communities. For experimental artists Roxanne Nesbitt and Anju Singh, co-artistic directors of the Vancouver-based Currently Arts Society (CAS), the nebulous term poses no significant problem. “We keep the definition really open,” says Nesbitt. “I think that’s the value ofContinue reading “Currently Arts Society is Activating the Future”

Sonny-Ray Day Rider is opening gates to a different world

In his early teenage years, Sonny-Ray Day Rider started playing piano in the home of his paternal grandmother. The thirty-six-year-old Blackfoot composer from the Kainai Blood tribe was raised with the music of powwows and other ceremonial rituals, but it was this hands-on experience that set him on his creative path. While Day Rider isContinue reading “Sonny-Ray Day Rider is opening gates to a different world”

Maria Chávez is shattering old grooves to bring inclusivity to turntable art

In early June, sound artist and noted abstract turntablist Maria Chávez visited Montreal for the first time in a decade, and she seemed to be making up for lost time. Chávez performed at Suoni Per Il Popolo—the annual month-long festival of experimental, liberatory music in the city’s Mile End neighbourhood—and offered a workshop and aContinue reading “Maria Chávez is shattering old grooves to bring inclusivity to turntable art “

RapCity, Michele Geister, and the Rise of the Canadian Hip-Hop Nation

In February 2021, while I was conducting post-doctoral research on the history of anti-Black racism in the Canadian music industry, Jeff “J-Spade” Duke of the Toronto rap group Citizen Kane suggested I talk to Michele Geister, creator of MuchMusic’s ground-breaking Canadian television program, RapCity. Through the development, launch, and evolution of the long-running RapCity, GeisterContinue reading “RapCity, Michele Geister, and the Rise of the Canadian Hip-Hop Nation”

Julie Richard and the Reimagining of Shirley Graham Du Bois’ Tom-Tom

Julie Richard is a classically trained Haitian Canadian composer and instrumentalist (tuba and sousaphone) who performs across a range of styles and genres—jazz, Latin, klezmer, African, improvisation—and is active in several ensembles in Montreal, where she is based. But her passion project is uncovering and preserving the legacy of little-known Black composers, especially women, andContinue reading “Julie Richard and the Reimagining of Shirley Graham Du Bois’ Tom-Tom”

Mustafa Rafiq’s Music of Self-Determination

The opening track of guitarist Mustafa Rafiq’s album If I Were a Dance, featuring music recorded in 2020, provides two points of entry. One is through words—visceral, personal poetry composed and recited by Edmonton-based poet Dwennimmen. The other is through the instrumental sounds that bloom behind the poems: sparse, crackling sonorities that gently swell andContinue reading “Mustafa Rafiq’s Music of Self-Determination “